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		<title>Usaha Jasa Pariwisata</title>
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			<title>MARHUM BUKIT BATU : SULTAN AHMAD SYAH MELAKA DI BINTAN</title>
			<description>OLEH : ASWANDI SYAHRI&lt;br&gt;&lt;br&gt;Sejarawan G.P. Rouffaer dalam sebuah esseinya tantang Raja-raja Melaka dan Johor (&lt;i&gt;De Vosrrsten van Malaka en Djohor&lt;/i&gt;) yang dimuat sebagai lampiran dalam artikel berjudul Was Malaka Eemporium voor 1400 A.D. Genaamd Malajoer? Apakah Malaka tahun 1400 Masehi sebuah Emporium bernama Melajoer? (BKI, 1921), mencatat Sultan Ahmad Syah sebagai putera Sultan Mahmud Syah Melaka (sultan Ma ha mu sa menurut sumber sejarah cina, dan Sultan Mohamet menurut laporan Portugis).&lt;br&gt;&lt;br&gt;Bersama ayahandanya, secara berturut turut ia menyingkir ke Batu Hampar, Penarikan, Pahang, dan akhirnya bertahan di Pulau Bintan pada tahun 1513, menyusul jatuhnya Melaka ke tangan Portugis pada taun 1511. Sejarah melayu pula mencatat Sultan Ahmad menjadi Sultan Melaka ketika ayahandanya masih hidup. Pengalihan tahta ini terjadi karena Sultan Mahmud Syah merasa bersalah dan untuk itu memuruskan mengasingkan diri atau membuangkan kerajaannya, karena membunuh Bendahara Sri Maharaja yang kemudian menjadi mertuanya.&lt;br&gt;&lt;br&gt;Maka setelah itu, Raja Ahmad lah dirajakan baginda berbelar Sultan Ahmad Syah. Oleh karena itulah dalam sejarah, ia dicatat pula sebagai seorang Sultan Melaka dan sekaligus sebagai Panglima yang memimpin kekuatan Melaka ketika menghadapi Portugis pada tahun 1511. dalam sejarah Melayu, tentang hal ini dinukilkan sebagai berikut : &quot;&lt;i&gt;...maka dipersembahkan oranglah kepada Sultan Ahmad Syah bahawa peringgi datang menyerang, tujuh buah kapal, delapan buah halias, sembilan buah ghali panjang, enambelas bumanah fusta. Maka Sultan Ahmad pun mengerahkan segala rakyat menghadirkan kelengkapan. Maka berperanglah Peringgi dengan orang Melaka : dibedilnya dari kapal seperti hujan datangnya, bunyinya seperti guruh dari langit; maka Sultan Ahmad pun keluar naik gajah jinak Ci na&lt;/i&gt;manya....&lt;i&gt;&quot;&lt;br&gt;&lt;br&gt;&lt;/i&gt;Kegagahan Sultan Ahmad Syah dalam memimpin perlawanan menghadapi Portugis yang menyerang Kota Melaka, diceritakan panjang lebar dalam sejarah Melayu. Namun walau...</description>
			<content:encoded>OLEH : ASWANDI SYAHRI&lt;br&gt;&lt;br&gt;Sejarawan G.P. Rouffaer dalam sebuah esseinya tantang Raja-raja Melaka dan Johor (&lt;i&gt;De Vosrrsten van Malaka en Djohor&lt;/i&gt;) yang dimuat sebagai lampiran dalam artikel berjudul Was Malaka Eemporium voor 1400 A.D. Genaamd Malajoer? Apakah Malaka tahun 1400 Masehi sebuah Emporium bernama Melajoer? (BKI, 1921), mencatat Sultan Ahmad Syah sebagai putera Sultan Mahmud Syah Melaka (sultan Ma ha mu sa menurut sumber sejarah cina, dan Sultan Mohamet menurut laporan Portugis).&lt;br&gt;&lt;br&gt;Bersama ayahandanya, secara berturut turut ia menyingkir ke Batu Hampar, Penarikan, Pahang, dan akhirnya bertahan di Pulau Bintan pada tahun 1513, menyusul jatuhnya Melaka ke tangan Portugis pada taun 1511. Sejarah melayu pula mencatat Sultan Ahmad menjadi Sultan Melaka ketika ayahandanya masih hidup. Pengalihan tahta ini terjadi karena Sultan Mahmud Syah merasa bersalah dan untuk itu memuruskan mengasingkan diri atau membuangkan kerajaannya, karena membunuh Bendahara Sri Maharaja yang kemudian menjadi mertuanya.&lt;br&gt;&lt;br&gt;Maka setelah itu, Raja Ahmad lah dirajakan baginda berbelar Sultan Ahmad Syah. Oleh karena itulah dalam sejarah, ia dicatat pula sebagai seorang Sultan Melaka dan sekaligus sebagai Panglima yang memimpin kekuatan Melaka ketika menghadapi Portugis pada tahun 1511. dalam sejarah Melayu, tentang hal ini dinukilkan sebagai berikut : &quot;&lt;i&gt;...maka dipersembahkan oranglah kepada Sultan Ahmad Syah bahawa peringgi datang menyerang, tujuh buah kapal, delapan buah halias, sembilan buah ghali panjang, enambelas bumanah fusta. Maka Sultan Ahmad pun mengerahkan segala rakyat menghadirkan kelengkapan. Maka berperanglah Peringgi dengan orang Melaka : dibedilnya dari kapal seperti hujan datangnya, bunyinya seperti guruh dari langit; maka Sultan Ahmad pun keluar naik gajah jinak Ci na&lt;/i&gt;manya....&lt;i&gt;&quot;&lt;br&gt;&lt;br&gt;&lt;/i&gt;Kegagahan Sultan Ahmad Syah dalam memimpin perlawanan menghadapi Portugis yang menyerang Kota Melaka, diceritakan panjang lebar dalam sejarah Melayu. Namun walaupun kalah, ia tidaklah mangkat dalam peperangan itu sebagaimana disebutkan dalam beberapa hasil penelitian tentang situs sejarah Bintan yang umumnya mengutip cerita pusaka penduduk di Kampung Bukit Batu.&lt;br&gt;&lt;br&gt;Dalam sejarah Melayu, Tuan Sri Lanang jelas menyebutkan bahwa Sultan Ahmad Syah akhirnya meningkit, bertahan dan kemudian bermastauitin di Bintan bersama ayahandanya Sultan Mahmud Syah. Di Bintan pula dia mangkat di begeri Sungai Batu setelah dibunuh karena &lt;i&gt;af&apos;al&lt;/i&gt; atau budi pekertinya yang dinilai telah membuang &lt;i&gt;akmal&lt;/i&gt; atau kesempurnaan budi pekerti raja-raja pewaris tahta Melaka.&lt;br&gt;</content:encoded>
			<link>https://ujp.ucoz.com/news/marhum_bukit_batu_sultan_ahmad_syah_melaka_di_bintan/2013-10-05-26</link>
			<dc:creator>YON</dc:creator>
			<guid>https://ujp.ucoz.com/news/marhum_bukit_batu_sultan_ahmad_syah_melaka_di_bintan/2013-10-05-26</guid>
			<pubDate>Sat, 05 Oct 2013 03:25:00 GMT</pubDate>
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		<item>
			<title>Struktur Organisasi UJP</title>
			<description>&lt;div align=&quot;center&quot;&gt;&lt;span style=&quot;font-size: 18pt;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;STRUKTUR ORGANISASI DAN PEMBAGIAN TUGAS MENGAJAR&lt;br&gt;KOMPETENSI KEAHLIAN USAHA PERJALANAN WISATA&lt;/span&gt;&lt;br&gt;&lt;/b&gt;&lt;/span&gt;&lt;br&gt;&lt;img alt=&quot;&quot; src=&quot;https://ujp.ucoz.com/lambang_ujp-101.jpg&quot; height=&quot;123&quot; width=&quot;106&quot;&gt;&lt;br&gt;&lt;br&gt;&lt;img alt=&quot;&quot; src=&quot;http://ujp.ucoz.com/erna.jpg&quot; height=&quot;94&quot; width=&quot;67&quot;&gt;&lt;br&gt;&lt;br&gt;ERNAWATI, SST.Par&lt;br&gt;(Ketua Program Keahlian)&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;div align=&quot;left&quot;&gt;&lt;div align=&quot;center&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;img alt=&quot;&quot; src=&quot;https://ujp.ucoz.com/yon14.jpg&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &lt;img alt=&quot;&quot; src=&quot;https://ujp.ucoz.com/muriati.jpg&quot; height=&quot;95&quot; width=&quot;70&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &lt;img alt=&quot;&quot; src=&quot;https://ujp.ucoz.com/dian.jpg&quot; height=&quot;95&quot; width=&quot;69&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; SUYONO, S.Pd.I&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; MURIATI, S.Sos&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; DIAN FADILLAH, S.Sos&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br&gt;&lt;br&gt;&lt;div align=&quot;left&quot;&gt;&lt;b&gt;KOMPETENSI YANG DIAJARKAN :&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;br&gt;&lt;i&gt;SEMESTER GANJIL&lt;/i&gt;&lt;br&gt;&lt;/div&gt;&lt;/div&gt;1. K3LH&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 5. Memproses dokumen perjalanan selain dok. perjalanan udara&lt;br&gt;2. Berkomunikasi Melalui Telepon&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbs...</description>
			<content:encoded>&lt;div align=&quot;center&quot;&gt;&lt;span style=&quot;font-size: 18pt;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;STRUKTUR ORGANISASI DAN PEMBAGIAN TUGAS MENGAJAR&lt;br&gt;KOMPETENSI KEAHLIAN USAHA PERJALANAN WISATA&lt;/span&gt;&lt;br&gt;&lt;/b&gt;&lt;/span&gt;&lt;br&gt;&lt;img alt=&quot;&quot; src=&quot;https://ujp.ucoz.com/lambang_ujp-101.jpg&quot; height=&quot;123&quot; width=&quot;106&quot;&gt;&lt;br&gt;&lt;br&gt;&lt;img alt=&quot;&quot; src=&quot;http://ujp.ucoz.com/erna.jpg&quot; height=&quot;94&quot; width=&quot;67&quot;&gt;&lt;br&gt;&lt;br&gt;ERNAWATI, SST.Par&lt;br&gt;(Ketua Program Keahlian)&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;div align=&quot;left&quot;&gt;&lt;div align=&quot;center&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;img alt=&quot;&quot; src=&quot;https://ujp.ucoz.com/yon14.jpg&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &lt;img alt=&quot;&quot; src=&quot;https://ujp.ucoz.com/muriati.jpg&quot; height=&quot;95&quot; width=&quot;70&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &lt;img alt=&quot;&quot; src=&quot;https://ujp.ucoz.com/dian.jpg&quot; height=&quot;95&quot; width=&quot;69&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; SUYONO, S.Pd.I&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; MURIATI, S.Sos&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; DIAN FADILLAH, S.Sos&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br&gt;&lt;br&gt;&lt;div align=&quot;left&quot;&gt;&lt;b&gt;KOMPETENSI YANG DIAJARKAN :&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;br&gt;&lt;i&gt;SEMESTER GANJIL&lt;/i&gt;&lt;br&gt;&lt;/div&gt;&lt;/div&gt;1. K3LH&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 5. Memproses dokumen perjalanan selain dok. perjalanan udara&lt;br&gt;2. Berkomunikasi Melalui Telepon&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 6. Mengkoordinasi jasa-jasa pemasok&lt;br&gt;3. Memutakhirkan informasi umum bagi Pramuwisata&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 7. Mengelola perjalanan wisata&lt;br&gt;4. Mempresentasikan komentar pemanduan wisata&lt;br&gt;&lt;i&gt;SEMESTER GENAP :&lt;/i&gt;&lt;br&gt;1. Melaksanakan Kepramuwisataan&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 4. Memproses dok perjalanan selain dokumen perjalanan udara&lt;br&gt;2. Menyiapkan bantuan kedatangan dan keberangkatan&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 5. Mengkoordinasikan jasa-jasa pemasok&lt;br&gt;3. Memutakhirkan informasi umum bagi pramuwisata&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 6. Review&lt;br&gt;&lt;br&gt;&lt;b&gt;SUYONO, S.Pd.I&lt;/b&gt;&lt;br&gt;&lt;i&gt;SEMESTER GANJIL :&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; SEMESTER GENAP :&lt;/i&gt;&lt;br&gt;1. Menginterpretasikan informasi produk wisata&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 1. Menginterpretasikan informasi produk wisata&lt;br&gt;2. Mengemas produk dan jasa pariwisata&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 2. Mengemas produk dan jasa pariwisata&lt;br&gt;3. Kepariwisataan&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 3. Menyiapkan penawaran harga paket wisata&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 4. Kepariwisataan&lt;br&gt;&lt;b&gt;MURIATI, S.Sos&lt;br&gt;&lt;/b&gt;&lt;i&gt;SEMESTER GANJIL :&lt;br&gt;1. Menghitun&lt;/i&gt;g dan menerbitkan tiket penerbangan internasional&lt;br&gt;2. menghitung dan menerbitkan tiket penerbangan domestik &lt;br&gt;&lt;i&gt;SEMESTER GENAP :&lt;br&gt;&lt;/i&gt;1. Menghitung dan menerbitkan tiket penerbangan internasional&lt;br&gt;2. Review&lt;br&gt;&lt;br&gt;&lt;b&gt;DIAN FADILLAH, S.Sos&lt;br&gt;&lt;/b&gt;&lt;i&gt;SEMESTER GANJI&lt;/i&gt;L :&lt;br&gt;1. Mengembangkan &amp;amp; memutakhirkan pengetahuan ind.par&amp;nbsp;&amp;nbsp; 4. housekeeping&lt;br&gt;2. Memperbaharui informasi tentang daerah setempat&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 5. Souvenir daerah (Muatan Lokal)&lt;br&gt;&lt;i&gt;SEMESTER GENAP :&lt;br&gt;&lt;/i&gt;1. Menyediakan informasi dan saran mengenai DTW&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 3. Front Office&lt;br&gt;2. Prosedur Administrasi&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 4. Pengantar Perhotelan&lt;br&gt;&lt;br&gt;&lt;b&gt;ERNAWATI, SST.Par&lt;br&gt;&lt;/b&gt;&lt;i&gt;SEMESTER GANJIL :&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; SEMESTER GENAP :&lt;br&gt;&lt;/i&gt;1. Bekerja dg kolega / pelanggan&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 1. Memproses reservasi jasa penerbangan udara&lt;br&gt;2. Bekerja di lingk.Sosial yang berbeda&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 2. Mengoperasikan sistim reservasi komputer&lt;br&gt;3. Mengatasi situasi konflik&lt;br style=&quot;border: medium groove rgb(0, 0, 0);&quot;&gt;&lt;/div&gt;&lt;/div&gt;</content:encoded>
			<link>https://ujp.ucoz.com/news/struktur_organisasi_ujp/2011-07-16-23</link>
			<dc:creator>YON</dc:creator>
			<guid>https://ujp.ucoz.com/news/struktur_organisasi_ujp/2011-07-16-23</guid>
			<pubDate>Sat, 16 Jul 2011 03:43:12 GMT</pubDate>
		</item>
		<item>
			<title>I La Galigo, Mutiara yang “Hilang”</title>
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&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align:justify&quot; align=&quot;center&quot;&gt;&lt;img alt=&quot;&quot; src=&quot;https://ujp.ucoz.com/la-galigo-4.jpg&quot; width=&quot;480&quot; align=&quot;middle&quot; height=&quot;214&quot;&gt;&lt;br&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:0in;margin-bottom:.0001pt;text-align:
justify&quot;&gt;I La Galigo tergurat di atas lembar-lembar lontar dalam bentuk puisi
dengan bahasa Bugis kuno. Mahakarya ini diperkirakan ditulis pada kisaran abad
ke-13 hingga abad ke-15 Masehi. Puisi dalam bentuk sajak bersuku lima yang
menceritakan asal-usul manusia ini juga berfungsi sebagai almanak sehari-hari. &lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:0in;margin-bottom:.0001pt;text-align:
justify&quot;&gt;Patut dicatat bahwa naskah I La Galigo adalah karya sastra paling
tebal sedunia, mengalahkan epik legendaris dari India, Mahabharata. Jumlah
larik syair Mahabharata adalah 160.000 larik, sedangkan I La Galigo memiliki
jumlah larik syair lebih dari dua kali lipatnya, yakni lebih kurang sebanyak
360.000 larik. Inilah mahakarya peradaban Bugis yang luar biasa. &lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:0in;margin-bottom:.0001pt;text-align:
justify&quot;&gt;Cerita I La Galigo dikembangkan melalui tradisi lisan masyarakat Bugis
dan masih sering dilantunkan dalam pelaksanaan beberapa upacara adat Bugis. Sebagian
rangkaian kisah dalam naskah monumental ini masih tersimpan di Museum I La
Galigo, Makassar, Sulawesi Selatan. I La Galigo dinilai sebagai salah satu
bukti bahwa orang Bugis adalah suku bangsa yang besar dan berperadaban tinggi.
Namun, karya besar ini seolah tidak mendapat perhatian lagi, termasuk sosok
Bissu (pelantun I La Galigo) yang sebenarnya memiliki peran sentral dalam
pelestarian I La Galigo. Bissu seringkali menuai anggapan miring dari
masyarakat hanya karena berjender ganda. Padahal, mereka adalah penjaga setia
tradisi I La Galigo. &lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:0in;margin-bottom:.0001pt;text-align:
justify&quot;&gt;Cukupkah kita hanya sekadar membanggakan I La Galigo? Tentu saja
tidak! Aksi nyata untuk melestarikan aset budaya ini jauh lebih penting
daripada hanya membanggakannya semata. I La Galigo sudah kenyang akan sanjungan.
Yang diperlukannya hanyalah perhatian yang serius dan berkelanjutan dari
pihak-pihak terkait. Bentuk dari perhatian itu mungkin dapat dimulai dengan
mengangkat derajat sosok Bissu.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:0in;margin-bottom:.0001pt;text-align:
justify&quot;&gt;Cerita tentang kebesaran bangsa Bugis seakan-akan hanya menjadi awan
gelap di negeri sendiri, termasuk di tempat asalnya, Sulawesi Selatan. Di
negeri para pelaut itu, I La Galigo hanya mengisi imajinasi di ruang ingatan
orang semata. Hanya sedikit kalangan tertentu yang masih merawat mahakarya ini
dengan sungguh-sungguh. Ironisnya, di luar negeri, I La Galigo justru lebih
dihargai. Pada tahun 2004, misalnya, kisah dalam epik I La Galigo dipentaskan
di berbagai belahan dunia, termasuk di Amerika Serikat, Eropa, Australia, dan
di negara-negara di Asia. &lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:0in;margin-bottom:.0001pt;text-align:
justify&quot;&gt;Baru pada tahun 2011 ini, I La Galigo pulang kampung ke tanah Bugis.
Pada 22-24 April 2011, bertempat di pelataran Benteng Fort Rotterdam, Makassar,
epik I La Galigo dipentaskan. Akan tetapi, pergelaran I La Galigo di Makassar
masih menyisakan kesan miris karena pementasan ini justru disutradarai oleh
seniman Barat, Robert Wilson, dan diadaptasi oleh Rhoda Gruer.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:0in;margin-bottom:.0001pt;text-align:
justify&quot;&gt;Sebuah kesalahan fatal jika epik seagung I La Galigo malah menjadi
tamu di negeri sendiri. Kesadaran kita baru muncul ketika I La Galigo menjadi
perbincangan media massa di luar negeri. Adalah sesuatu yang sungguh aneh
ketika karya besar bangsa sendiri justru lebih dihargai di mancanegara daripada
di negeri sendiri. Jangan sampai kejadian seperti ini terulang lagi. &lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:0in;margin-bottom:.0001pt;text-align:
justify&quot;&gt;__________&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:0in;margin-bottom:.0001pt;text-align:
justify&quot;&gt;Yusuf Efendi, Redaktur www.MelayuOnline.com &amp;amp;
www.WisataMelayu.com&lt;span style=&quot;mso-spacerun:yes&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:0in;margin-bottom:.0001pt;text-align:
justify&quot;&gt;Sumber Foto: http://www.indonesiakreatif.net&lt;/p&gt;</content:encoded>
			<link>https://ujp.ucoz.com/news/i_la_galigo_mutiara_yang_hilang/2011-05-31-22</link>
			<dc:creator>YON</dc:creator>
			<guid>https://ujp.ucoz.com/news/i_la_galigo_mutiara_yang_hilang/2011-05-31-22</guid>
			<pubDate>Tue, 31 May 2011 04:37:22 GMT</pubDate>
		</item>
		<item>
			<title>WISATA SEJARAH PULAU PENYENGAT</title>
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&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Pulau Penyengat, adalah sebuah
pulau kecil yang berjarak kurang lebih 6 km dari kota Tanjung Pinang, ibukota
dari propinsi Kepulauan Riau. Pulau ini berukuran kurang lebih hanya 2.500 x
750 m, dan berjarak lebih kurang 35 km dari pulau Batam. Pulau Penyengat
merupakan salah satu obyek wisata di Kepulauan Riau. Salah satu objek yang bisa
kita liat adalah Masjid Raya Sultan Riau yang terbuat dari putih telur,
makam-makam para raja, makam dari pahlawan nasional Raja Ali Haji, kompleks
Istana Kantor dan benteng pertahanan di Bukit Kursi.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&lt;b style=&quot;&quot;&gt;MESJID RAYA SULTAN RIAU &lt;/b&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Mesjid ini di bangun pada tahun
1832 pada masa pemerintahan Yang Dipertuan Muda VII Raja Abdul Rahman,
pembangunan mesjid ini dilakukan secara bergotong royong oleh semua masyarakat
penyengat pada masa itu. &lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Aspek yang paling menarik dalam
pembangunan mesjid ini adalah digunakannya putih telur sebagai campuran semen
untuk dinding mesjit. Mesjid ini merupakan bangunan yang unik dengan panjang
19,8 meter dan lebar 18 meter, rungan tempat sembahyang disangga oleh 4 buah
tiang besar, atapnya berbentuk kubah sebanyak 13 buah dan menara sebanyak 4
sebuah, semuanya berjumlah 17 sesuai dengan rakaat sebahyang sehari semalam. &lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Di dalam mesjid ini juga terdapat
kitab suci Al-Quran yang ditulis tangan, serta lemari perpustakaan kerajaan
riau-lingga yang pintunya berukir kaligrafi yang melambangkan kebudayaan islam
sangat berkembang pesat pada masa itu.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&lt;b style=&quot;&quot;&gt;KOMPLEKS MAKAM ENGKU PUTERI RAJA HAMIDAH&lt;/b&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Di dalam kompleks makam yang
memiliki struktur atap bersusun dengan ornamen yang indah ini terdapat beberapa
makam pembesar kerajaan riau salah satu diantaranya adalah makam Enku Puteri.
Engku Puteri yang memiliki naman lahir Raja Hamidah merupakan anak dari Raja
Haji Yang Dipertuan Muda Riau ke IV. &lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Perkawinan dengan Sultan Mahmud
mengantar Engku Puteri Raja Hamidah menjadi tokoh yang sangat penting dalam
kerajaan Riau-Johor pada awal abad ke-19. Karena di dalam tangannya diamanahkan
alat-alat kebesaran kerajaan (insignia atau rgelia). Tanpa alat-alat kebesaran
itu penobatan seorang sultan menjadi tidak sah menurut adat setempat. &lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Pulau pengengat juga merupakan
mas kawin dari Sultan Mahmud kepada Engku Puteri. Engku Puteri wafat pada tahun
1844. Selain makam Engku Puteri juga terdapat makam Raja Haji Abdullah Yang
Dipertuan Muda Riau IX, dan makam Raja Ali Haji Sastrawan dari kerajaan Riau
Lingga, karyanya yang terkenal adalah Gurindam Dua Belas.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&lt;b style=&quot;&quot;&gt;KOMPLEKS MAKAM RAJA HAJI FISABILLILLAH&lt;/b&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Komplek makam ini terletak diatas
bukit di selatan pulau Penyengat. Raja Haji Fisabilillah adalah Yang Dipertuan
Muda IV kerajaan Riau Lingga yang memerintah kerajaan dari tahun 1777-1784
merupakan figur legendaris dan pahlawan melayu. &lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Raja Haji Fisabilillah sangat
gencar mengadakan perlawanan-perlawanan terhadap penjajah, peristiwa yang
terbesar adalah ketika meletusnya perang Riau. Pasukan Riau berhasil memukul
mundur pasukan Belanda dari perairan Riau dan memenangkan pertempuran tersebut
setelah berhasil menenggelamkan kapal Maraca Van Warden. &lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Raja Haji wafat pada 18 juni 1784
dikenal sebagai Marhum Teluk Ketapang. Oleh Belanda, Raja Haji dikenal juga
sebagai Raja Api. Dan oleh Pemerintah Indonesia Raja Haji Fisabilillah
dianugrahi menjadi pahlawan nasional. Disebelah komplek makam Raja Haji
Fisabilillah juga terdapat makam Habib Syech, ulama terkenal semasa kerajaan
Riau.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&lt;b style=&quot;&quot;&gt;KOMPLEK MAKAM RAJA JAKFAR&lt;/b&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Komplek makam Raja Jakfar adalah
komplek makam yang baik diantara makam lainnya. Dilapisi dinding dengan pilar
dan kubah kecil disamping terdapt kolam tempat berwudhu untuk sholat. Raja
Jakfar adalah anak Raja Haji Fisabilillah, merupakan Yang Dipertuan Muda Riau
VI. &lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Pada masa pemerintahannya ia
memindahkan pusat kerajaan yang tadinya di hulu Riau ke pulau Penyengat. Ia
memulai karirnya sebagai pengusaha pertambangan timah yang sukses di Kelang,
Selangor. &lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Karena sering mengunjungi kota
melaka beliau menjadi peka akan penataan kota dengan arsitektur yang sejalan
dengan zaman. Karena itulah pulau Penyengat ditata dan dikelolanya dengan
selera yang tinggi. &lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Dalam komplek makam Raja Jakfar
juga terdapat makam Raja Ali Yang Dipertuan Muda VIII kerajaan Riau anak dari
Raja Jakfar. Raja Ali merupakan figure yang taat beribadah. Pada masa
pemerintahannya ia membuat kebijakan untuk mewajibkan kaum laki-laki
melaksanakan sholat jumat dan mewajibkan kaum wanita untuk menggunakan busana
muslimah.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&lt;b style=&quot;&quot;&gt;KOMPLEK TENGKU BILIK&lt;/b&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Bangunan yang megah ini
menggambarkan betapa jayanya kerajaan Riau Lingga pada rentang tahun 1844.
Bangunan tua yang mempunyai berarsitektur Eropa modern ini berada tepat
disamping komplek makam Raja Jakfar. &lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Gedung tengku bilik ini mempunyai
kemiripan dengan gedung kampung Gelam yang berada di Malaka. kemiripan
arsitektur kedua gedung tersebut menunjukkan kuatnya jalinan persaudaran dan
kerjasama dari dua kerajan besar pada saat itu.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&lt;b style=&quot;&quot;&gt;ISTANA RAJA ALI&lt;/b&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Istana Raja Ali juga dikenal
dengan Istana Kantor, karena fungsi bangunan ini selain sebagai rumah juga
sebagai kantor Raja Ali Yang Dipertuan Muda VIII kerajaan Riau. &lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Komplek istana ini sangat besar,
ukurannya sekitar no meter, dikelilingi oleh tembok tebal lengkap dengan pintu
gerbang dibagian belakangnya. Keagungan istana ini masih dapat kita lihat
sampai saat ini. &lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Setelah wafat, Raja Ali dikenal
dengan Marhum Kantor.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&lt;b style=&quot;&quot;&gt;MAKAM RAJA ABDURRAHMAN&lt;/b&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Raja Abdulrahman adalah Yang
Dipertuan Muda VII kerajaan Riau Lingga. Ialah yang membangun mesjid pulau
Penyengat. &lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Pada masa pemerintahannya terjadi
pengacauan oleh bajak laut, dan campur tangan pihak Inggris mempersulit
kedudukan Raja Abdulrahman. &lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Raja abdulrahman wafat pada tahun
1843, dengan gelar post humousnya adalah Marhum Kampung Bulang. Makamnya
terletak di atas sebuah bukit yang memaparkan pemandangan pada mesjid yang
dibangunnya.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&lt;b style=&quot;&quot;&gt;BENTENG PERTAHANAN BUKIT KURSI&lt;/b&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Dibangun pada masa pemerintahan
Yang Dipertuan Muda Raja Haji Fisabilillah,&lt;span style=&quot;&quot;&gt;&amp;nbsp;
&lt;/span&gt;yang pada masa itu menjadikan pulau Penyengat sebagai benteng pertahanan
yang ampuh pada perang riau di benteng ini masih dapat kita jumpai parit
pertahanan dan meriamnya.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&lt;b style=&quot;&quot;&gt;PERIGI PUTERI/PERIGI KUNCI&lt;/b&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Bangunan mungil yang berbentuk
unik beratap kubah setengah slinde ini merupakan tempat pemandian bagi kaum
wanita terutama para puteri bangsawan kerajaan Riau-Lingga.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&lt;b style=&quot;&quot;&gt;MAKAM RAJA ALI HAJI&lt;/b&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Makam Raja Ali Haji berada satu
komplek dengan makam Raja Hamidah Engku Putri. Raja Ali Haji sangat termashyur
dengan karyanya Gurindam 12, yang berisi tentang petunjuk menjalankan kehidupan
sehari yang bertujuan untuk membentuk akhlak mulia dan menegakkan ajaran agama
Islam.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&lt;b style=&quot;&quot;&gt;TAMAN MONUMEN PERJUANGAN RAJA HAJI FISABILILLAH&lt;/b&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Monumen setinggi 28 m ini
dibangun oleh pemerintah untuk mengenang perjuangan Raja Haji Fisabillillah
yang merupakan pahlawan Bahari dan Kepulauan Riau. Disekitar monumen terdapat
taman Raja Haji Fisabilillah yang memaparkan pandangan laut beserta pulau-pulau
disekitar kota Tanjung Pinang bersantai disore hari disini sambil menikmati
suasana matahari terbenam merupakan aktifitas yang sangat menyenangkan.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&lt;b style=&quot;&quot;&gt;KOMPLEK MAKAM DAENG MAREWAH&lt;/b&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Daeng Marewah atau Kelana Jaya
Putera adalah Yang Dipertuan Muda I kerajaan Johor-Pahang-Riau-Lingga,
memerintah tahun 1721-1728, gelar posthumousnya adalah Marhum Mangkat Disungai
Bahari. Dalam komplek makamnya juga terdapat makam keluarga termasuk Tu Encik
Ayu yang merupakan istri Daeng Marewah.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&lt;b style=&quot;&quot;&gt;KOMPLEK MAKAM DAENG CELAK&lt;/b&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Daeng Celak adalah Yang Dipertuan
Muda Riau II yang merupakan ayahanda Raja Haji Yang Dipertuan Muda IV. Ia
memerintah tahun 1728-1745. Pusarannya telah dibuatkan cungkup menaungi bersma
putera istrinya Engku Puan Mandak Binti Sultan Abdul Jalil Ri Ayat Syah. Dalam
komplek pemakaman yang dikelilingi tembok berkisi setinggi 70 cm terdapat
pusara-pusara lainnya.&lt;/p&gt;</content:encoded>
			<link>https://ujp.ucoz.com/news/wisata_sejarah_pulau_penyengat/2011-02-12-17</link>
			<dc:creator>YON</dc:creator>
			<guid>https://ujp.ucoz.com/news/wisata_sejarah_pulau_penyengat/2011-02-12-17</guid>
			<pubDate>Sat, 12 Feb 2011 02:10:22 GMT</pubDate>
		</item>
		<item>
			<title>Makam Daeng Celak ( Yang Dipertuan Muda Riau II )</title>
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 UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 6&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 6&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 6&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 6&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 6&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 6&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 6&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 6&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 6&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 6&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 6&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 6&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;19&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Subtle Emphasis&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;21&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Intense Emphasis&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;31&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Subtle Reference&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;32&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Intense Reference&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;33&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Book Title&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;37&quot; Name=&quot;Bibliography&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; QFormat=&quot;true&quot; Name=&quot;TOC Heading&quot;/&gt;
 &lt;/w:LatentStyles&gt;
&lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt;
&lt;style&gt;
 /* Style Definitions */
 table.MsoNormalTable
 {mso-style-name:&quot;Table Normal&quot;;
 mso-tstyle-rowband-size:0;
 mso-tstyle-colband-size:0;
 mso-style-noshow:yes;
 mso-style-priority:99;
 mso-style-qformat:yes;
 mso-style-parent:&quot;&quot;;
 mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
 mso-para-margin-top:0cm;
 mso-para-margin-right:0cm;
 mso-para-margin-bottom:10.0pt;
 mso-para-margin-left:0cm;
 line-height:115%;
 mso-pagination:widow-orphan;
 font-size:11.0pt;
 font-family:&quot;Calibri&quot;,&quot;sans-serif&quot;;
 mso-ascii-font-family:Calibri;
 mso-ascii-theme-font:minor-latin;
 mso-fareast-font-family:&quot;Times New Roman&quot;;
 mso-fareast-theme-font:minor-fareast;
 mso-hansi-font-family:Calibri;
 mso-hansi-theme-font:minor-latin;
 mso-bidi-font-family:&quot;Times New Roman&quot;;
 mso-bidi-theme-font:minor-bidi;}
&lt;/style&gt;
&lt;![endif]--&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot; align=&quot;center&quot;&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:WordDocument&gt;
 &lt;w:View&gt;Normal&lt;/w:View&gt;
 &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;
 &lt;w:TrackMoves/&gt;
 &lt;w:TrackFormatting/&gt;
 &lt;w:PunctuationKerning/&gt;
 &lt;w:ValidateAgainstSchemas/&gt;
 &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;
 &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;
 &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;
 &lt;w:DoNotPromoteQF/&gt;
 &lt;w:LidThemeOther&gt;IN&lt;/w:LidThemeOther&gt;
 &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt;
 &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;
 &lt;w:Compatibility&gt;
 &lt;w:BreakWrappedTables/&gt;
 &lt;w:SnapToGridInCell/&gt;
 &lt;w:WrapTextWithPunct/&gt;
 &lt;w:UseAsianBreakRules/&gt;
 &lt;w:DontGrowAutofit/&gt;
 &lt;w:SplitPgBreakAndParaMark/&gt;
 &lt;w:DontVertAlignCellWithSp/&gt;
 &lt;w:DontBreakConstrainedForcedTables/&gt;
 &lt;w:DontVertAlignInTxbx/&gt;
 &lt;w:Word11KerningPairs/&gt;
 &lt;w:CachedColBalance/&gt;
 &lt;/w:Compatibility&gt;
 &lt;m:mathPr&gt;
 &lt;m:mathFont m:val=&quot;Cambria Math&quot;/&gt;
 &lt;m:brkBin m:val=&quot;before&quot;/&gt;
 &lt;m:brkBinSub m:val=&quot;--&quot;/&gt;
 &lt;m:smallFrac m:val=&quot;off&quot;/&gt;
 &lt;m:dispDef/&gt;
 &lt;m:lMargin m:val=&quot;0&quot;/&gt;
 &lt;m:rMargin m:val=&quot;0&quot;/&gt;
 &lt;m:defJc m:val=&quot;centerGroup&quot;/&gt;
 &lt;m:wrapIndent m:val=&quot;1440&quot;/&gt;
 &lt;m:intLim m:val=&quot;subSup&quot;/&gt;
 &lt;m:naryLim m:val=&quot;undOvr&quot;/&gt;
 &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt;
&lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:LatentStyles DefLockedState=&quot;false&quot; DefUnhideWhenUsed=&quot;true&quot;
 DefSemiHidden=&quot;true&quot; DefQFormat=&quot;false&quot; DefPriority=&quot;99&quot;
 LatentStyleCount=&quot;267&quot;&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;0&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Normal&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;heading 1&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 2&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 3&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 4&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 5&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 6&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 7&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 8&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 9&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 1&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 2&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 3&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 4&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 5&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 6&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 7&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 8&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 9&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;35&quot; QFormat=&quot;true&quot; Name=&quot;caption&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;10&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Title&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;1&quot; Name=&quot;Default Paragraph Font&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;11&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Subtitle&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;22&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Strong&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;20&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Emphasis&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;59&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Table Grid&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Placeholder Text&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;1&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;No Spacing&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 1&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 1&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 1&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 1&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 1&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 1&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Revision&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;34&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;List Paragraph&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;29&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Quote&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;30&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Intense Quote&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 1&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 1&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 1&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 1&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 1&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 1&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 1&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 1&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 2&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 2&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 2&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 2&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 2&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 2&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 2&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 2&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 2&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 2&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 2&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 2&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 2&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 2&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 3&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 3&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 3&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 3&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 3&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 3&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 3&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 3&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 3&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 3&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 3&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 3&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 3&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 3&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 4&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
 UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 4&quot;/&gt;
 &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
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&lt;/p&gt;&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&lt;img alt=&quot;&quot; src=&quot;https://ujp.ucoz.com/makam_daeng_celak_1.jpg&quot; align=&quot;left&quot; width=&quot;298&quot; height=&quot;173&quot;&gt;Dalam sejarah, Daeng Celak adalah
ayahanda dari Raja Haji, Yang Dipertuan Muda IV Kerajaan Riau, yang
menggantikan Yang Dipertuan Muda III, Daeng Kamboja. Daeng Celak sendiri adalah
kepala pemerintahan (Yang Dipertuan Muda II) pada tahun 1727-1745 M,
menggantikan Yang Dipertuan Muda I, Daeng Marewa.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Daeng Marewa dan Daeng Celak
menjadi Yang Dipertuan Muda, pada periode kerajaan Melayu Riau-Lingga di bawah
pemerintahan Sultan Sulaiman Badrul Alam Syah. &lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;&quot;&gt;&lt;/span&gt;Makam Daeng Celak terdapat di
Kota Lama, Tanjung Pinang Timur, Kepulauan Riau, Indonesia. Dapat ditempuh
dengan pompong (perahu motor) dari Tanjung Pinang lebih kurang selama 25 menit.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&lt;br&gt;&lt;/p&gt;</content:encoded>
			<link>https://ujp.ucoz.com/news/makam_daeng_celak_yang_dipertuan_muda_riau_ii/2011-02-02-16</link>
			<dc:creator>YON</dc:creator>
			<guid>https://ujp.ucoz.com/news/makam_daeng_celak_yang_dipertuan_muda_riau_ii/2011-02-02-16</guid>
			<pubDate>Wed, 02 Feb 2011 16:22:14 GMT</pubDate>
		</item>
		<item>
			<title>Makam Daeng Marewa ( Yang Dipertuan Muda Riau I )</title>
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&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot; align=&quot;center&quot;&gt;&lt;img alt=&quot;&quot; src=&quot;https://ujp.ucoz.com/makam_daeng_merewah-YDM_I.jpg&quot; align=&quot;middle&quot; width=&quot;423&quot; height=&quot;317&quot;&gt;&lt;br&gt;&lt;/p&gt;&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Daeng Marewah Kelana Jaya
diangkat menjadi Yang Dipertuan Muda I Riau oleh Raja Sulaiman Badrul Alamsyah
Pertama karena beliau telah berjasa menjalani tugas sebagai Yang dipertuan Muda
I selama sekitar 6 tahun (1722-1728),&lt;span style=&quot;&quot;&gt;&amp;nbsp;
&lt;/span&gt;beliaupun mangkat atau meninggal dunia di Pulau Pittung. Jenazahnya
dibawa pulang ke Riau dan dimakamkan di bukit Sungai Baru. Oleh karena itulah
makam tersebut dinamakan &quot;Marhum Sungai Baru”&lt;/p&gt;</content:encoded>
			<link>https://ujp.ucoz.com/news/makam_daeng_marewa_yang_dipertuan_muda_riau_i/2011-02-02-15</link>
			<dc:creator>YON</dc:creator>
			<guid>https://ujp.ucoz.com/news/makam_daeng_marewa_yang_dipertuan_muda_riau_i/2011-02-02-15</guid>
			<pubDate>Wed, 02 Feb 2011 16:12:28 GMT</pubDate>
		</item>
		<item>
			<title>Kesultanan Riau-Lingga ( 1824–1911 )</title>
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 &lt;div align=&quot;center&quot;&gt;&lt;img alt=&quot;&quot; src=&quot;https://ujp.ucoz.com/pulau_penyengat.jpg&quot; width=&quot;447&quot; align=&quot;top&quot; height=&quot;294&quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Ibu kota&lt;span style=&quot;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;Daik dan Pulau Penyengat&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Bahasa&lt;span style=&quot;&quot;&gt;&amp;nbsp; &lt;/span&gt;Melayu&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Agama&lt;span style=&quot;&quot;&gt;&amp;nbsp; &lt;/span&gt;Islam&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Pemerintahan&lt;span style=&quot;&quot;&gt;&amp;nbsp;&amp;nbsp; &lt;/span&gt;Monarki&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Sultan&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;&quot;&gt;&amp;nbsp;&lt;/span&gt;- 1818-1832&lt;span style=&quot;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;Sultan
Abdul Rahman Muadzam Syah&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;&quot;&gt;&amp;nbsp;&lt;/span&gt;- 1832–1835&lt;span style=&quot;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;Sultan
Muhammad II Muadzam Syah&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;&quot;&gt;&amp;nbsp;&lt;/span&gt;- 1835–1857&lt;span style=&quot;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;Sultan
Mahmud IV Mudzafar Syah&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;&quot;&gt;&amp;nbsp;&lt;/span&gt;- 1857–1883&lt;span style=&quot;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;Sultan
Sulaiman II Badarul Alam Syah&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;&quot;&gt;&amp;nbsp;&lt;/span&gt;- 1885–1911&lt;span style=&quot;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;Sultan
Abdul Rahman II Muadzam Syah&lt;/p&gt;&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&lt;br&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Sejarah&lt;/b&gt;&lt;span style=&quot;&quot;&gt; &lt;/span&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;&quot;&gt;&amp;nbsp;&lt;/span&gt;- Traktat London&lt;span style=&quot;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;1824&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;&quot;&gt;&amp;nbsp;&lt;/span&gt;- Pembubaran oleh Belanda&lt;span style=&quot;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;1911&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Kesultanan Riau-Lingga adalah
kerajaan Islam yang berpusat Kepulauan Lingga yang merupakan pecahan dari
Kesultanan Johor. Kesultanan ini dibentuk berdasarkan perjanjian antara Britania
Raya dan Belanda pada tahun 1824 dengan Sultan Abdul Rahman Muadzam Syah
sebagai sultan pertamanya. Kesultanan ini dihapuskan oleh pemerintah kolonial
Belanda pada 3 Februari 1911.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Wilayah Kesultanan Riau-Lingga
mencakup provinsi Kepulauan Riau modern, tapi tidak termasuk provinsi Riau yang
didominasi oleh Kesultanan Siak, yang sebelumnya sudah memisahkan diri dari
Johor-Riau.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Kesultanan ini memiliki peran
penting dalam perkembangan bahasa Melayu hingga menjadi bentuknya sekarang
sebagai bahasa Indonesia. Pada masa kesultanan ini bahasa Melayu menjadi bahasa
standar yang sejajar dengan bahasa-bahasa besar lain di dunia, yang kaya dengan
susastra dan memiliki kamus ekabahasa. Tokoh besar di belakang perkembangan
pesat bahasa Melayu ini adalah Raja Ali Haji, seorang pujangga dan sejarawan
keturunan Melayu-Bugis.&lt;/p&gt;



&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Riau-Lingga pada awalnya
merupakan bagian dari Kesultanan Malaka, dan kemudian Kesultanan Johor-Riau.
Pada 1811 Sultan Mahmud Syah III mangkat. Ketika itu, putra tertua, Tengku
Hussain sedang melangsungkan pernikahan di Pahang. Menurut adat Istana,
seseorang pangeran raja hanya bisa menjadi Sultan sekiranya dia berada di
samping Sultan ketika mangkat. Dalam sengketa yang timbul Britania mendukung
putra tertua, Husain, sedangkan Belanda mendukung adik tirinya, Abdul Rahman.
Traktat London pada 1824 membagi Kesultanan Johor menjadi dua: Johor berada di
bawah pengaruh Britania sedangkan Riau-Lingga berada di dalam pengaruh Belanda.
Abdul Rahman ditabalkan menjadi raja Riau-Lingga dengan gelar Sultan Abdul
Rahman Muadzam Syah, dan berkedudukan di Daik, Kepulauan Lingga.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Sultan Hussain yang didukung
Britania pada awalnya beribukota di Singapura, namun kemudian anaknya Sultan
Ali menyerahkan kekuasaan kepada Tumenggung Johor, yang kemudian mendirikan
kesultanan Johor modern.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;Pada tanggal 7 Oktober 1857
pemerintah Hindia-Belanda memakzulkan Sultan Mahmud IV dari tahtanya. Pada saat
itu Sultan sedang berada di Singapura. Sebagai penggantinya diangkat pamannya,
yang menjadi raja dengan gelar Sultan Sulaiman II Badarul Alam Syah. Jabatan
raja muda (Yang Dipertuan Muda) yang biasanya dipegang oleh bangsawan keturunan
Bugis disatukan dengan jabatan raja oleh Sultan Abdul Rahman II Muadzam Syah
pada 1899. Karena tidak ingin menandatangani kontrak yang membatasi
kekuasaannya Sultan Abdul Rahman II meninggalkan Pulau Penyengat dan hijrah ke
Singapura. Pemerintah Hindia Belanda memakzulkan Sultan Abdul Rahman II in
absentia 3 Februari 1911, dan resmi memerintah langsung pada tahun 1913.&lt;/p&gt;</content:encoded>
			<link>https://ujp.ucoz.com/news/kesultanan_riau_lingga_1824_1911/2011-01-29-14</link>
			<dc:creator>YON</dc:creator>
			<guid>https://ujp.ucoz.com/news/kesultanan_riau_lingga_1824_1911/2011-01-29-14</guid>
			<pubDate>Sat, 29 Jan 2011 17:14:58 GMT</pubDate>
		</item>
		<item>
			<title>BOROBUDUR</title>
			<description>&lt;div align=&quot;justify&quot;&gt;&lt;div align=&quot;center&quot;&gt;&lt;img alt=&quot;&quot; src=&quot;https://ujp.ucoz.com/800px-Borobudur-Nothwest-view.jpg&quot; width=&quot;301&quot; align=&quot;top&quot; height=&quot;221&quot;&gt;&lt;br&gt;&lt;/div&gt;Borobudur adalah nama sebuah candi Buddha yang terletak di Borobudur, Magelang, Jawa Tengah. Lokasi candi adalah kurang lebih 100 km di sebelah barat daya Semarang dan 40 km di sebelah barat laut Yogyakarta. Candi ini didirikan oleh para penganut agama Buddha Mahayana sekitar tahun 800-an Masehi pada masa pemerintahan wangsa Syailendra. Dalam etnis Tionghoa, candi ini disebut juga 婆羅浮屠 (Hanyu Pinyin: pó luó fú tú) dalam bahasa Mandarin.&lt;br&gt;&lt;br&gt;Nama Borobudur&lt;br&gt;&lt;br&gt;Banyak teori yang berusaha menjelaskan nama candi ini. Salah satunya menyatakan bahwa nama ini kemungkinan berasal dari kata Sambharabhudhara, yaitu artinya &quot;gunung&quot; (bhudara) di mana di lereng-lerengnya terletak teras-teras. Selain itu terdapat beberapa etimologi rakyat lainnya. Misalkan kata borobudur berasal dari ucapan &quot;para Buddha&quot; yang karena pergeseran bunyi menjadi borobudur. Penjelasan lain ialah bahwa nama ini berasal dari dua kata &quot;bara&quot; dan &quot;beduhur&quot;. Kata bara konon berasal dari kata vihara, sementara ada pula penjelasan lain di mana bara berasal dari bahasa Sansekerta yang artinya kompleks candi atau biara dan beduhur artinya ialah &quot;tinggi&quot;, atau mengingatkan dalam bahasa Bali yang berarti &quot;di atas&quot;. Jadi maksudnya ialah sebuah biara atau asrama yang berada di tanah tinggi.&lt;br&gt;&lt;br&gt;Sejarawan J.G. de Casparis dalam disertasinya untuk mendapatkan gelar doktor pada 1950 berpendapat bahwa Borobudur adalah tempat pemujaan. Berdasarkan prasasti Karangtengah dan Kahulunan, Casparis memperkirakan pendiri Borobudur adalah raja Mataram dari wangsa Syailendra bernama Samaratungga, yang melakukan pembangunan sekitar tahun 824 M. Bangunan raksasa itu baru dapat diselesaikan pada masa putrinya, Ratu Pramudawardhani. Pembangunan Borobudur diperkirakan memakan waktu setengah abad. Dalam prasasti Karangtengah pula disebutkan mengenai penganugerahan tanah sima (tanah beba...</description>
			<content:encoded>&lt;div align=&quot;justify&quot;&gt;&lt;div align=&quot;center&quot;&gt;&lt;img alt=&quot;&quot; src=&quot;https://ujp.ucoz.com/800px-Borobudur-Nothwest-view.jpg&quot; width=&quot;301&quot; align=&quot;top&quot; height=&quot;221&quot;&gt;&lt;br&gt;&lt;/div&gt;Borobudur adalah nama sebuah candi Buddha yang terletak di Borobudur, Magelang, Jawa Tengah. Lokasi candi adalah kurang lebih 100 km di sebelah barat daya Semarang dan 40 km di sebelah barat laut Yogyakarta. Candi ini didirikan oleh para penganut agama Buddha Mahayana sekitar tahun 800-an Masehi pada masa pemerintahan wangsa Syailendra. Dalam etnis Tionghoa, candi ini disebut juga 婆羅浮屠 (Hanyu Pinyin: pó luó fú tú) dalam bahasa Mandarin.&lt;br&gt;&lt;br&gt;Nama Borobudur&lt;br&gt;&lt;br&gt;Banyak teori yang berusaha menjelaskan nama candi ini. Salah satunya menyatakan bahwa nama ini kemungkinan berasal dari kata Sambharabhudhara, yaitu artinya &quot;gunung&quot; (bhudara) di mana di lereng-lerengnya terletak teras-teras. Selain itu terdapat beberapa etimologi rakyat lainnya. Misalkan kata borobudur berasal dari ucapan &quot;para Buddha&quot; yang karena pergeseran bunyi menjadi borobudur. Penjelasan lain ialah bahwa nama ini berasal dari dua kata &quot;bara&quot; dan &quot;beduhur&quot;. Kata bara konon berasal dari kata vihara, sementara ada pula penjelasan lain di mana bara berasal dari bahasa Sansekerta yang artinya kompleks candi atau biara dan beduhur artinya ialah &quot;tinggi&quot;, atau mengingatkan dalam bahasa Bali yang berarti &quot;di atas&quot;. Jadi maksudnya ialah sebuah biara atau asrama yang berada di tanah tinggi.&lt;br&gt;&lt;br&gt;Sejarawan J.G. de Casparis dalam disertasinya untuk mendapatkan gelar doktor pada 1950 berpendapat bahwa Borobudur adalah tempat pemujaan. Berdasarkan prasasti Karangtengah dan Kahulunan, Casparis memperkirakan pendiri Borobudur adalah raja Mataram dari wangsa Syailendra bernama Samaratungga, yang melakukan pembangunan sekitar tahun 824 M. Bangunan raksasa itu baru dapat diselesaikan pada masa putrinya, Ratu Pramudawardhani. Pembangunan Borobudur diperkirakan memakan waktu setengah abad. Dalam prasasti Karangtengah pula disebutkan mengenai penganugerahan tanah sima (tanah bebas pajak) oleh Çrī Kahulunan (Pramudawardhani) untuk memelihara Kamūlān yang disebut Bhūmisambhāra. [1] Istilah Kamūlān sendiri berasal dari kata mula yang berarti tempat asal muasal, bangunan suci untuk memuliakan leluhur, kemungkinan leluhur dari wangsa Sailendra. Casparis memperkirakan bahwa Bhūmi Sambhāra Bhudhāra dalam bahasa sansekerta yang berarti &quot;Bukit himpunan kebajikan sepuluh tingkatan boddhisattwa&quot;, adalah nama asli Borobudur.[2]&lt;br&gt;&lt;br&gt;Struktur Borobudur&lt;br&gt;&amp;nbsp;&lt;br&gt; &lt;br&gt;&lt;img alt=&quot;&quot; src=&quot;https://ujp.ucoz.com/454px-Borobudur_Mandala.svg.png&quot; width=&quot;128&quot; align=&quot;left&quot; height=&quot;147&quot;&gt;Denah Borobudur membentuk Mandala, lambang alam semesta dalam kosmologi Buddha.&lt;br&gt;&lt;br&gt;Candi Borobudur memiliki struktur dasar punden berundak, dengan enam pelataran berbentuk bujur sangkar, tiga pelataran berbentuk bundar melingkar dan sebuah stupa utama sebagai puncaknya. Selain itu tersebar di semua pelatarannya beberapa stupa.&lt;br&gt;&lt;br&gt;Sepuluh pelataran yang dimiliki Borobudur menggambarkan secara jelas filsafat mazhab Mahayana. Bagaikan sebuah kitab, Borobudur menggambarkan sepuluh tingkatan Bodhisattva yang harus dilalui untuk mencapai kesempurnaan menjadi Buddha.&lt;br&gt;&lt;br&gt;Bagian kaki Borobudur melambangkan Kamadhatu, yaitu dunia yang masih dikuasai oleh kama atau &quot;nafsu rendah&quot;. Bagian ini sebagian besar tertutup oleh tumpukan batu yang diduga dibuat untuk memperkuat konstruksi candi. Pada bagian yang tertutup struktur tambahan ini terdapat 120 panel cerita Kammawibhangga. Sebagian kecil struktur tambahan itu disisihkan sehingga orang masih dapat melihat relief pada bagian ini.&lt;br&gt;&lt;br&gt;Empat lantai dengan dinding berelief di atasnya oleh para ahli dinamakan Rupadhatu. Lantainya berbentuk persegi. Rupadhatu adalah dunia yang sudah dapat membebaskan diri dari nafsu, tetapi masih terikat oleh rupa dan bentuk. Tingkatan ini melambangkan alam antara yakni, antara alam bawah dan alam atas. Pada bagian Rupadhatu ini patung-patung Buddha terdapat pada ceruk-ceruk dinding di atas ballustrade atau selasar.&lt;br&gt;&lt;br&gt;Mulai lantai kelima hingga ketujuh dindingnya tidak berelief. Tingkatan ini dinamakan Arupadhatu (yang berarti tidak berupa atau tidak berwujud). Denah lantai berbentuk lingkaran. Tingkatan ini melambangkan alam atas, di mana manusia sudah bebas dari segala keinginan dan ikatan bentuk dan rupa, namun belum mencapai nirwana. Patung-patung Buddha ditempatkan di dalam stupa yang ditutup berlubang-lubang seperti dalam kurungan. Dari luar patung-patung itu masih tampak samar-samar.&lt;br&gt;&lt;br&gt;Tingkatan tertinggi yang menggambarkan ketiadaan wujud dilambangkan berupa stupa yang terbesar dan tertinggi. Stupa digambarkan polos tanpa lubang-lubang. Di dalam stupa terbesar ini pernah ditemukan patung Buddha yang tidak sempurna atau disebut juga unfinished Buddha, yang disalahsangkakan sebagai patung Adibuddha, padahal melalui penelitian lebih lanjut tidak pernah ada patung pada stupa utama, patung yang tidak selesai itu merupakan kesalahan pemahatnya pada zaman dahulu. menurut kepercayaan patung yang salah dalam proses pembuatannya memang tidak boleh dirusak. Penggalian arkeologi yang dilakukan di halaman candi ini menemukan banyak patung seperti ini.&lt;br&gt;&lt;br&gt;Di masa lalu, beberapa patung Buddha bersama dengan 30 batu dengan relief, dua patung singa, beberapa batu berbentuk kala, tangga dan gerbang dikirimkan kepada Raja Thailand, Chulalongkorn yang mengunjungi Hindia Belanda (kini Indonesia) pada tahun 1896 sebagai hadiah dari pemerintah Hindia Belanda ketika itu.&lt;br&gt;&lt;br&gt;Borobudur tidak memiliki ruang-ruang pemujaan seperti candi-candi lain. Yang ada ialah lorong-lorong panjang yang merupakan jalan sempit. Lorong-lorong dibatasi dinding mengelilingi candi tingkat demi tingkat. Di lorong-lorong inilah umat Buddha diperkirakan melakukan upacara berjalan kaki mengelilingi candi ke arah kanan. Bentuk bangunan tanpa ruangan dan struktur bertingkat-tingkat ini diduga merupakan perkembangan dari bentuk punden berundak, yang merupakan bentuk arsitektur asli dari masa prasejarah Indonesia.&lt;br&gt;&lt;br&gt;Struktur Borobudur bila dilihat dari atas membentuk struktur Mandala.&lt;br&gt;&lt;br&gt;Struktur Borobudur tidak memakai semen sama sekali, melainkan sistem interlock yaitu seperti balok-balok Lego yang bisa menempel tanpa lem.&lt;br&gt;&lt;br&gt;Relief&lt;br&gt;&amp;nbsp;&lt;br&gt;&lt;img alt=&quot;&quot; src=&quot;https://ujp.ucoz.com/400px-Lens_Flare_at_Borobudur_Stairs_Kala_Arches.jpg&quot; width=&quot;133&quot; align=&quot;left&quot; height=&quot;150&quot;&gt;Tangga Borobudur mendaki melalui serangkaian gapura berukir Kala-Makara&lt;br&gt;&amp;nbsp;&lt;br&gt;&lt;br&gt;Di setiap tingkatan dipahat relief-relief pada dinding candi. Relief-relief ini dibaca sesuai arah jarum jam atau disebut mapradaksina dalam bahasa Jawa Kuna yang berasal dari bahasa Sansekerta daksina yang artinya ialah timur. Relief-relief ini bermacam-macam isi ceritanya, antara lain relief-relief cerita jātaka.&lt;br&gt;&lt;br&gt;Pembacaan cerita-cerita relief ini senantiasa dimulai, dan berakhir pada pintu gerbang sisi timur di setiap tingkatnya, mulainya di sebelah kiri dan berakhir di sebelah kanan pintu gerbang itu. Maka secara nyata bahwa sebelah timur adalah tangga naik yang sesungguhnya (utama) dan menuju puncak candi, artinya bahwa candi menghadap ke timur meskipun sisi-sisi lainnya serupa benar.&lt;br&gt;&lt;br&gt;Adapun susunan dan pembagian relief cerita pada dinding dan pagar langkan candi adalah sebagai berikut.Bagan Relief&lt;br&gt;Tingkat&amp;nbsp;&amp;nbsp;&amp;nbsp; Posisi/letak&amp;nbsp;&amp;nbsp;&amp;nbsp; Cerita Relief&amp;nbsp;&amp;nbsp;&amp;nbsp; Jumlah Pigura&lt;br&gt;Kaki candi asli&amp;nbsp;&amp;nbsp;&amp;nbsp; - -----&amp;nbsp;&amp;nbsp;&amp;nbsp; Karmawibhangga&amp;nbsp;&amp;nbsp;&amp;nbsp; 160 pigura&lt;br&gt;Tingkat I&amp;nbsp;&amp;nbsp;&amp;nbsp; - dinding&amp;nbsp;&amp;nbsp;&amp;nbsp; a. Lalitawistara&amp;nbsp;&amp;nbsp;&amp;nbsp; 120 pigura&lt;br&gt;-------&amp;nbsp;&amp;nbsp;&amp;nbsp; - -----&amp;nbsp;&amp;nbsp;&amp;nbsp; b. jataka/awadana&amp;nbsp;&amp;nbsp;&amp;nbsp; 120 pigura&lt;br&gt;-------&amp;nbsp;&amp;nbsp;&amp;nbsp; - langkan&amp;nbsp;&amp;nbsp;&amp;nbsp; a. jataka/awadana&amp;nbsp;&amp;nbsp;&amp;nbsp; 372 pigura&lt;br&gt;-------&amp;nbsp;&amp;nbsp;&amp;nbsp; - -----&amp;nbsp;&amp;nbsp;&amp;nbsp; b. jataka/awadana&amp;nbsp;&amp;nbsp;&amp;nbsp; 128 pigura&lt;br&gt;Tingkat II&amp;nbsp;&amp;nbsp;&amp;nbsp; - dinding&amp;nbsp;&amp;nbsp;&amp;nbsp; Gandawyuha&amp;nbsp;&amp;nbsp;&amp;nbsp; 128 pigura&lt;br&gt;--------&amp;nbsp;&amp;nbsp;&amp;nbsp; - langkan&amp;nbsp;&amp;nbsp;&amp;nbsp; jataka/awadana&amp;nbsp;&amp;nbsp;&amp;nbsp; 100 pigura&lt;br&gt;Tingkat III&amp;nbsp;&amp;nbsp;&amp;nbsp; - dinding&amp;nbsp;&amp;nbsp;&amp;nbsp; Gandawyuha&amp;nbsp;&amp;nbsp;&amp;nbsp; 88 pigura&lt;br&gt;--------&amp;nbsp;&amp;nbsp;&amp;nbsp; - langkan&amp;nbsp;&amp;nbsp;&amp;nbsp; Gandawyuha&amp;nbsp;&amp;nbsp;&amp;nbsp; 88 pigura&lt;br&gt;Tingkat IV&amp;nbsp;&amp;nbsp;&amp;nbsp; - dinding&amp;nbsp;&amp;nbsp;&amp;nbsp; Gandawyuha&amp;nbsp;&amp;nbsp;&amp;nbsp; 84 pigura&lt;br&gt;--------&amp;nbsp;&amp;nbsp;&amp;nbsp; - langkan&amp;nbsp;&amp;nbsp;&amp;nbsp; Gandawyuha&amp;nbsp;&amp;nbsp;&amp;nbsp; 72 pigura&lt;br&gt;--------&amp;nbsp;&amp;nbsp;&amp;nbsp; Jumlah&amp;nbsp;&amp;nbsp;&amp;nbsp; --------&amp;nbsp;&amp;nbsp;&amp;nbsp; 1460 pigura&lt;br&gt;&lt;br&gt;&lt;br&gt;Secara runtutan, maka cerita pada relief candi secara singkat bermakna sebagai berikut :&lt;br&gt;&lt;br&gt;Karmawibhangga&lt;br&gt;&amp;nbsp;&lt;br&gt;&lt;img alt=&quot;&quot; src=&quot;https://ujp.ucoz.com/800px-Karmawibhangga_Borobudur.jpg&quot; width=&quot;146&quot; align=&quot;left&quot; height=&quot;109&quot;&gt;Salah satu ukiran Karmawibhangga di dinding candi Borobudur (lantai 0 sudut tenggara)&lt;br&gt;&lt;br&gt;Sesuai dengan makna simbolis pada kaki candi, relief yang menghiasi dinding batur yang terselubung tersebut menggambarkan hukum karma. Deretan relief tersebut bukan merupakan cerita seri (serial), tetapi pada setiap pigura menggambarkan suatu cerita yang mempunyai korelasi sebab akibat. Relief tersebut tidak saja memberi gambaran terhadap perbuatan tercela manusia disertai dengan hukuman yang akan diperolehnya, tetapi juga perbuatan baik manusia dan pahala. Secara keseluruhan merupakan penggambaran kehidupan manusia dalam lingkaran lahir - hidup - mati (samsara) yang tidak pernah berakhir, dan oleh agama Buddha rantai tersebutlah yang akan diakhiri untuk menuju kesempurnaan.&lt;br&gt;&lt;br&gt;Lalitawistara&lt;br&gt;&lt;br&gt;Merupakan penggambaran riwayat Sang Buddha dalam deretan relief-relief (tetapi bukan merupakan riwayat yang lengkap ) yang dimulai dari turunnya Sang Buddha dari sorga Tusita, dan berakhir dengan wejangan pertama di Taman Rusa dekat kota Banaras. Relief ini berderet dari tangga pada sisi sebelah selatan, setelah melampui deretan relief sebanyak 27 pigura yang dimulai dari tangga sisi timur. Ke-27 pigura tersebut menggambarkan kesibukan, baik di sorga maupun di dunia, sebagai persiapan untuk menyambut hadirnya penjelmaan terakhir Sang Bodhisattwa selaku calon Buddha. Relief tersebut menggambarkan lahirnya Sang Buddha di arcapada ini sebagai Pangeran Siddhartha, putra Raja Suddhodana dan Permaisuri Maya dari Negeri Kapilawastu. Relief tersebut berjumlah 120 pigura, yang berakhir dengan wejangan pertama, yang secara simbolis dinyatakan sebagai Pemutaran Roda Dharma, ajaran Sang Buddha di sebut dharma yang juga berarti &quot;hukum&quot;, sedangkan dharma dilambangkan sebagai roda.&lt;br&gt;&lt;br&gt;Jataka dan Awadana&lt;br&gt;&lt;br&gt;Jataka adalah cerita tentang Sang Buddha sebelum dilahirkan sebagai Pangeran Siddharta. Isinya merupakan pokok penonjolan perbuatan baik, yang membedakan Sang Bodhisattwa dari makhluk lain manapun juga. Sesungguhnya, pengumpulan jasa/perbuatan baik merupakan tahapan persiapan dalam usaha menuju ketingkat ke-Buddha-an.&lt;br&gt;&lt;br&gt;Sedangkan Awadana, pada dasarnya hampir sama dengan Jataka akan tetapi pelakunya bukan Sang Bodhisattwa, melainkan orang lain dan ceritanya dihimpun dalam kitab Diwyawadana yang berarti perbuatan mulia kedewaan, dan kitab Awadanasataka atau seratus cerita Awadana. Pada relief candi Borobudur jataka dan awadana, diperlakukan sama, artinya keduanya terdapat dalam deretan yang sama tanpa dibedakan. Himpunan yang paling terkenal dari kehidupan Sang Bodhisattwa adalah Jatakamala atau untaian cerita Jataka, karya penyair Aryasura dan jang hidup dalam abad ke-4 Masehi.&lt;br&gt;&lt;br&gt;Gandawyuha&lt;br&gt;&lt;br&gt;Merupakan deretan relief menghiasi dinding lorong ke-2,adalah cerita Sudhana yang berkelana tanpa mengenal lelah dalam usahanya mencari Pengetahuan Tertinggi tentang Kebenaran Sejati oleh Sudhana. Penggambarannya dalam 460 pigura didasarkan pada kitab suci Buddha Mahayana yang berjudul Gandawyuha, dan untuk bagian penutupnya berdasarkan cerita kitab lainnya yaitu Bhadracari.&lt;br&gt;&lt;br&gt;Arca Buddha&lt;br&gt;&amp;nbsp;&lt;br&gt;&lt;img alt=&quot;&quot; src=&quot;https://ujp.ucoz.com/449px-Buddha_in_the_Stupa_Borobudur.jpg&quot; width=&quot;146&quot; align=&quot;left&quot; height=&quot;165&quot;&gt;Sebuah arca Buddha di dalam stupa berterawang&lt;br&gt;&lt;br&gt;Selain wujud buddha dalam kosmologi buddhis yang terukir di dinding, di Borobudur terdapat banyak arca buddha duduk bersila dalam posisi lotus serta menampilkan mudra atau sikap tangan simbolis tertentu.&lt;br&gt;&lt;br&gt;Patung buddha dalam relung-relung di tingkat Rupadhatu, diatur berdasarkan barisan di sisi luar pagar langkan. Jumlahnya semakin berkurang pada sisi atasnya. Barisan pagar langkan pertama terdiri dari 104 relung, baris kedua 104 relung, baris ketiga 88 relung , baris keempat 72 relung, dan baris kelima 64 relung. Jumlah total terdapat 432 arca Buddha di tingkat Rupadhatu.[3] Pada bagian Arupadhatu (tiga pelataran melingkar), arca Buddha diletakkan di dalam stupa-stupa berterawang (berlubang). Pada pelataran melingkar pertama terdapat 32 stupa, pelataran kedua 24 stupa, dan pelataran ketiga terdapat 16 stupa, semuanya total 72 stupa.[3] Dari jumlah asli sebanyak 504 arca Buddha, lebih dari 300 telah rusak (kebanyakan tanpa kepala) dan 43 hilang (sejak penemuan monumen ini, kepala buddha sering dicuri sebagai barang koleksi, kebanyakan oleh museum luar negeri).[4]&lt;br&gt;&lt;br&gt;Secara sepintas semua arca buddha ini terlihat serupa, akan tetapi terdapat perbedaan halus diantaranya, yaitu pada mudra atau posisi sikap tangan. Terdapat lima golongan mudra: Utara, Timur, Selatan, Barat, dan Tengah, kesemuanya berdasarkan lima arah utama kompas menurut ajaran Mahayana. Keempat pagar langkan memiliki empat mudra: Utara, Timur, Selatan, dan Barat, dimana masing-masing arca buddha yang menghadap arah tersebut menampilkan mudra yang khas. Arca Buddha pada pagar langkan kelima dan arca buddha di dalam 72 stupa berterawang di pelataran atas menampilkan mudra: Tengah atau Pusat. Masing-masing mudra melambangkan lima Dhyani Buddha; masing-masing dengan makna simbolisnya tersendiri.[5]&lt;br&gt;&lt;br&gt;Mengikuti urutan Pradakshina yaitu gerakan mengelilingi searah jarum jam dimulai dari sisi Timur, maka mudra arca-arca buddha di Borobudur adalah:Arca&amp;nbsp;&amp;nbsp;&amp;nbsp; Mudra&amp;nbsp;&amp;nbsp;&amp;nbsp; Melambangkan&amp;nbsp;&amp;nbsp;&amp;nbsp; Dhyani Buddha&amp;nbsp;&amp;nbsp;&amp;nbsp; Arah Mata Angin&amp;nbsp;&amp;nbsp;&amp;nbsp; Lokasi Arca&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; Bhumisparsa mudra&amp;nbsp;&amp;nbsp;&amp;nbsp; Memanggil bumi sebagai saksi&amp;nbsp;&amp;nbsp;&amp;nbsp; Aksobhya&amp;nbsp;&amp;nbsp;&amp;nbsp; Timur&amp;nbsp;&amp;nbsp;&amp;nbsp; Relung di pagar langkan 4 baris pertama Rupadhatu sisi timur&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; Wara mudra&amp;nbsp;&amp;nbsp;&amp;nbsp; Kedermawanan&amp;nbsp;&amp;nbsp;&amp;nbsp; Ratnasambhawa&amp;nbsp;&amp;nbsp;&amp;nbsp; Selatan&amp;nbsp;&amp;nbsp;&amp;nbsp; Relung di pagar langkan 4 baris pertama Rupadhatu sisi selatan&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; Dhyana mudra&amp;nbsp;&amp;nbsp;&amp;nbsp; Semadi atau meditasi&amp;nbsp;&amp;nbsp;&amp;nbsp; Amitabha&amp;nbsp;&amp;nbsp;&amp;nbsp; Barat&amp;nbsp;&amp;nbsp;&amp;nbsp; Relung di pagar langkan 4 baris pertama Rupadhatu sisi barat&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; Abhaya mudra&amp;nbsp;&amp;nbsp;&amp;nbsp; Ketidakgentaran&amp;nbsp;&amp;nbsp;&amp;nbsp; Amoghasiddhi&amp;nbsp;&amp;nbsp;&amp;nbsp; Utara&amp;nbsp;&amp;nbsp;&amp;nbsp; Relung di pagar langkan 4 baris pertama Rupadhatu sisi utara&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; Witarka mudra&amp;nbsp;&amp;nbsp;&amp;nbsp; Akal budi&amp;nbsp;&amp;nbsp;&amp;nbsp; Wairocana&amp;nbsp;&amp;nbsp;&amp;nbsp; Tengah&amp;nbsp;&amp;nbsp;&amp;nbsp; Relung di pagar langkan baris kelima (teratas) Rupadhatu semua sisi&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; Dharmachakra mudra&amp;nbsp;&amp;nbsp;&amp;nbsp; Pemutaran roda dharma&amp;nbsp;&amp;nbsp;&amp;nbsp; Wairocana&amp;nbsp;&amp;nbsp;&amp;nbsp; Tengah&amp;nbsp;&amp;nbsp;&amp;nbsp; Di dalam 72 stupa di 3 teras melingkar Arupa&lt;br&gt;&lt;br&gt;Tahapan pembangunan Borobudur&lt;br&gt;Tahap pertama&lt;br&gt;&lt;br&gt;Masa pembangunan Borobudur tidak diketahui pasti (diperkirakan antara 750 dan 850 M). Pada awalnya dibangun tata susun bertingkat. Sepertinya dirancang sebagai piramida berundak. tetapi kemudian diubah. Sebagai bukti ada tata susun yang dibongkar.&lt;br&gt;Tahap kedua&lt;br&gt;&lt;br&gt;Pondasi Borobudur diperlebar, ditambah dengan dua undak persegi dan satu undak lingkaran yang langsung diberikan stupa induk besar.&lt;br&gt;Tahap ketiga&lt;br&gt;&lt;br&gt;Undak atas lingkaran dengan stupa induk besar dibongkar dan dihilangkan dan diganti tiga undak lingkaran. Stupa-stupa dibangun pada puncak undak-undak ini dengan satu stupa besar di tengahnya.&lt;br&gt;Tahap keempat&lt;br&gt;&lt;br&gt;Ada perubahan kecil seperti pembuatan relief perubahan tangga dan lengkung atas pintu.&lt;br&gt;&lt;br&gt;Ikhtisar waktu proses pemugaran Candi Borobudur&lt;br&gt;&amp;nbsp;&lt;br&gt;Foto pertama Borobudur dari tahun 1873. Bendera Belanda tampak pada stupa utama candi.&lt;br&gt;&amp;nbsp;&lt;br&gt;Teras tertinggi setelah restorasi Van Erp. Stupa utama memiliki menara dengan chattra (payung) susun tiga.&lt;br&gt;1814 - Sir Thomas Stamford Raffles, Gubernur Jenderal Britania Raya di Jawa, mendengar adanya penemuan benda purbakala di desa Borobudur. Raffles memerintahkan H.C. Cornelius untuk menyelidiki lokasi penemuan, berupa bukit yang dipenuhi semak belukar.&lt;br&gt;1873 - monografi pertama tentang candi diterbitkan.&lt;br&gt;1900 - pemerintahan Hindia Belanda menetapkan sebuah panitia pemugaran dan perawatan candi Borobudur.&lt;br&gt;1907 - Theodoor van Erp memimpin pemugaran hingga tahun 1911.&lt;br&gt;1926 - Borobudur dipugar kembali, tapi terhenti pada tahun 1940 akibat krisis malaise dan Perang Dunia II.&lt;br&gt;1956 - Pemerintah Indonesia meminta bantuan UNESCO. Prof. Dr. C. Coremans datang ke Indonesia dari Belgia untuk meneliti sebab-sebab kerusakan Borobudur.&lt;br&gt;1963 - Pemerintah Indonesia mengeluarkan surat keputusan untuk memugar Borobudur, tapi berantakan setelah terjadi peristiwa G-30-S.&lt;br&gt;1968 - Pada konferensi-15 di Perancis, UNESCO setuju untuk memberi bantuan untuk menyelamatkan Borobudur.&lt;br&gt;1971 - Pemerintah Indonesia membentuk badan pemugaran Borobudur yang diketuai Prof.Ir.Roosseno.&lt;br&gt;&amp;nbsp;&lt;br&gt;Batu peringatan pemugaran candi Borobudur dengan bantuan UNESCO&lt;br&gt;1972 - International Consultative Committee dibentuk dengan melibatkan berbagai negara dan Roosseno sebagai ketuanya. Komite yang disponsori UNESCO menyediakan 5 juta dolar Amerika Serikat dari biaya pemugaran 7.750 juta dolar Amerika Serikat. Sisanya ditanggung Indonesia.&lt;br&gt;10 Agustus 1973 - Presiden Soeharto meresmikan dimulainya pemugaran Borobudur; pemugaran selesai pada tahun 1984&lt;br&gt;21 Januari 1985 - terjadi serangan bom yang merusakkan beberapa stupa pada Candi Borobudur yang kemudian segera diperbaiki kembali. Serangan dilakukan oleh kelompok Islam ekstremis yang dipimpin oleh Husein Ali Al Habsyi.&lt;br&gt;1991 - Borobudur ditetapkan sebagai Warisan Dunia UNESCO.&lt;br&gt;&lt;br&gt;Referensi&lt;br&gt;^ Drs. R. Soekmono, (1973, 5th reprint edition in 1988). Pengantar Sejarah Kebudayaan Indonesia 2, 2nd ed.. Yogyakarta: Penerbit Kanisius. hlm. 46.&lt;br&gt;^ Walubi. &quot;Borobudur : Candi Berbukit Kebajikan&quot;.&lt;br&gt;^ a b Soekmono (1976), page 35–36.&lt;br&gt;^ Hiram W. Woodward Jr. (1979). &quot;Acquisition&quot;. Critical Inquiry 6 (2): 291–303. doi:10.1086/448048.&lt;br&gt;^ Roderick S. Bucknell and Martin Stuart-Fox (1995). The Twilight Language: Explorations in Buddhist Meditation and Symbolism. UK: Routledge. ISBN 0700702342.&lt;/div&gt;</content:encoded>
			<link>https://ujp.ucoz.com/news/borobudur/2011-01-29-13</link>
			<dc:creator>YON</dc:creator>
			<guid>https://ujp.ucoz.com/news/borobudur/2011-01-29-13</guid>
			<pubDate>Sat, 29 Jan 2011 16:53:20 GMT</pubDate>
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		<item>
			<title>Wacana Tes Keperawanan Calon Siswa Dikritik</title>
			<description>&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;line-height: normal; &quot;&gt;&lt;span style=&quot;font-size:12.0pt;font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;
mso-fareast-font-family:&quot;Times New Roman&quot;&quot;&gt;&lt;img src=&quot;https://ujp.ucoz.com/2821442430-wacana-tes-keperawanan-calon-siswa-dikr.jpg&quot; alt=&quot;&quot; align=&quot;left&quot;&gt;Liputan6.com, Jambi: Wacana tes
keperawanan calon siswi baru mulai tingkat SMP, SMA, dan Perguruan Tinggi
bergulir. Ketua Dewan Pimpinan Wilayah Partai Keadilan Provinsi Jambi, Henry
Mashur, menilai wacana tersebut bukan solusi yang tepat dan tidak dapat
diterapkan.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;line-height: normal; &quot;&gt;&lt;span style=&quot;font-size:12.0pt;font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;
mso-fareast-font-family:&quot;Times New Roman&quot;&quot;&gt;&quot;Penerapan tes keperawanan bagi
siswi dalam penerimaan siswa baru (PSB) bukan solusi tepat. Yang paling penting
ialah menanamkan nilai-nilai keagamaan sejak dini kepada generasi muda, program
tersebut yang perlu diperkuat oleh pemerintah saat ini,&quot; kata Henry.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;line-height: normal; &quot;&gt;&lt;span style=&quot;font-size:12.0pt;font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;
mso-fareast-font-family:&quot;Times New Roman&quot;&quot;&gt;Pernyataan tersebut disampaikan
Henry menanggapi wacana yang di usulkan DPRD Provinsi Jambi, Bambang Bayu
Suseno, terkait dengan peningkatan mutu pendidikan di Jambi, Ahad (26/9).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;line-height: normal; &quot;&gt;&lt;span style=&quot;font-size:12.0pt;font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;
mso-fareast-font-family:&quot;Times New Roman&quot;&quot;&gt;Menurut Henry, menanamkan
nilai-nilai keagamaan merupakan solusi yang tepat untuk menyelamatkan pelajar
dari pergaulan bebas dan perbuatan mesum, bukan tes keperawanan bagi calon
siswi, cara itu bukan solusi.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;line...</description>
			<content:encoded>&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;line-height: normal; &quot;&gt;&lt;span style=&quot;font-size:12.0pt;font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;
mso-fareast-font-family:&quot;Times New Roman&quot;&quot;&gt;&lt;img src=&quot;https://ujp.ucoz.com/2821442430-wacana-tes-keperawanan-calon-siswa-dikr.jpg&quot; alt=&quot;&quot; align=&quot;left&quot;&gt;Liputan6.com, Jambi: Wacana tes
keperawanan calon siswi baru mulai tingkat SMP, SMA, dan Perguruan Tinggi
bergulir. Ketua Dewan Pimpinan Wilayah Partai Keadilan Provinsi Jambi, Henry
Mashur, menilai wacana tersebut bukan solusi yang tepat dan tidak dapat
diterapkan.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;line-height: normal; &quot;&gt;&lt;span style=&quot;font-size:12.0pt;font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;
mso-fareast-font-family:&quot;Times New Roman&quot;&quot;&gt;&quot;Penerapan tes keperawanan bagi
siswi dalam penerimaan siswa baru (PSB) bukan solusi tepat. Yang paling penting
ialah menanamkan nilai-nilai keagamaan sejak dini kepada generasi muda, program
tersebut yang perlu diperkuat oleh pemerintah saat ini,&quot; kata Henry.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;line-height: normal; &quot;&gt;&lt;span style=&quot;font-size:12.0pt;font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;
mso-fareast-font-family:&quot;Times New Roman&quot;&quot;&gt;Pernyataan tersebut disampaikan
Henry menanggapi wacana yang di usulkan DPRD Provinsi Jambi, Bambang Bayu
Suseno, terkait dengan peningkatan mutu pendidikan di Jambi, Ahad (26/9).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;line-height: normal; &quot;&gt;&lt;span style=&quot;font-size:12.0pt;font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;
mso-fareast-font-family:&quot;Times New Roman&quot;&quot;&gt;Menurut Henry, menanamkan
nilai-nilai keagamaan merupakan solusi yang tepat untuk menyelamatkan pelajar
dari pergaulan bebas dan perbuatan mesum, bukan tes keperawanan bagi calon
siswi, cara itu bukan solusi.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;line-height: normal; &quot;&gt;&lt;span style=&quot;font-size:12.0pt;font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;
mso-fareast-font-family:&quot;Times New Roman&quot;&quot;&gt;&quot;Mendapatkan pendidikan yang
baik merupakan hak bagi setiap pelajar di Jambi, tanpa terkecuali,&quot;
lanjutnya.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;line-height: normal; &quot;&gt;&lt;span style=&quot;font-size:12.0pt;font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;
mso-fareast-font-family:&quot;Times New Roman&quot;&quot;&gt;Namun, menurut Ketua Komisi IV DPRD
Provinsi Jambi Aswan Jahari, rekrutmen lewat tes keperawan bagi siswi PSB, baru
sebatas wacana. Ia belum akan menyetujui keinginan Bambang untuk memasukan
klausul itu dalam rancangan peraturan daerah (raperda) terkait peningkatan mutu
pendidikan di Jambi. &quot;Itu kan baru wacana, belum mengarah ke
Raperda,&quot; ujar politisi Partai Demokrat itu.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: justify;line-height: normal; &quot;&gt;&lt;span style=&quot;font-size:12.0pt;font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;
mso-fareast-font-family:&quot;Times New Roman&quot;&quot;&gt;Seperti diketahui, Anggota Komisi IV
Dewan Perwakilan Rakyat Daerah Provinsi Jambi melempar wacana agar dalam
penerimaan siswa baru mulai dari tingkat SMP, SMA dan Perguruan Tinggi,
dilakukan tes perawanan bagi siswa perempuan. Tes tersebut dilakukan dengan
tujuan menangkal banyaknya hubungan seks bebas di kalangan pelajar. (Ant/MEL)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;</content:encoded>
			<link>https://ujp.ucoz.com/news/wacana_tes_keperawanan_calon_siswa_dikritik/2010-09-27-11</link>
			<dc:creator>YON</dc:creator>
			<guid>https://ujp.ucoz.com/news/wacana_tes_keperawanan_calon_siswa_dikritik/2010-09-27-11</guid>
			<pubDate>Mon, 27 Sep 2010 04:41:53 GMT</pubDate>
		</item>
		<item>
			<title>Penemuan Bahtera Nabi Nuh A.s.</title>
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&lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt; text-align: justify; line-height: normal;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: 12pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&quot;&gt;SEBUAH &lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-size: 12pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&quot;&gt;tim arkeologi yang mendasarkan penelitiannya pada Alkitab
mengaku telah menemukan sisa-sisa bahtera nabi Nuh di Gunung Ararat pada
ketinggian 13 ribu kaki, di wilayah timur Turki. Tim peneliti bernama &lt;i&gt;Noah&apos;s
Ark Ministries International &lt;/i&gt;yang terdiri dari para arkeolog asal China dan
Turki mengklaim telah menemukan sisa kayu bahtera Nuh.&lt;br&gt;
&lt;br&gt;
&lt;img alt=&quot;&quot; src=&quot;https://ujp.ucoz.com/kapal-nabi-nuh1.jpg&quot; width=&quot;534&quot; align=&quot;left&quot; height=&quot;321&quot;&gt;Tim peneliti mengklaim bahwa tes karbon menunjukan relik itu berumur 4800
tahun, atau hampir sama dengan saat-saat ketika bahtera Nuh mulai mengapung.
Salah satu peneliti, Yeung Wing-Cheung, menyatakan bahwa hampir bisa dipastikan
temuan di Ararat itu merupakan bahtera Nabi Nuh. &quot;Memang tidak 100 persen
itu bahtera Nabi Nuh. Tetap kami berpikir ini 99,9 persen adalah bahtera
Nuh,&quot; ujar Yeung seperti dikutip The Sun edisi Rabu (28/4).&lt;br&gt;
&lt;br&gt;
Menurutnya, struktur kayu-kayu temuan tim itu memuat banyak kompartemen,
beberapa di antaranya dengan balok kayu, yang diyakini pernah digunakan untuk
kandang hewan. Tim tersebut juga mengesampingkan kemungkinan bahwa temuan
tersebut bekas pemukiman. &quot;Karena di sekitarnya tidak pernah ditemukan
(pemukiman) di ketingggian 11 ribu kaki,&quot; tegas Yeung.&lt;br&gt;
&lt;br&gt;
Atas temuan itu, pejabat pemda setempat akan meminta pemerintah pusat Turki di
Ankara agar situs itu dimasukkan dalam daftar World Heritage (warisan dunia) di
UNESCO, sehingga bisa terlindungi dan penggalian secara arkeologis tetap bisa
dilakukan.&lt;br&gt;
&lt;br&gt;
Dalam Bibel disebutkan, Tuhan memutuskan untuk membanjiri bumi setelah melihat
betapa korup dan rusaknya zaman itu. Tuhan pun memerintahkan Nabi Nuh membangun
bahtera raksasa dan mengisinya dengan binatang masing-masing sepasang.&lt;br&gt;
&lt;br&gt;
Tak hanya itu, Alkitab juga merincikan, setelah banjir surut bahtera Nuh
terdampar di gunung. Banyak yang percaya gunung itu adalah Gunung Ararat, titik
tertinggi di wilayah tersebut, di mana bahtera Nuh dan penumpangnya terdampar.&lt;b&gt;(ara/jpnn)&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;</content:encoded>
			<link>https://ujp.ucoz.com/news/penemuan_bahtera_nabi_nuh_a_s/2010-05-07-10</link>
			<dc:creator>YON</dc:creator>
			<guid>https://ujp.ucoz.com/news/penemuan_bahtera_nabi_nuh_a_s/2010-05-07-10</guid>
			<pubDate>Fri, 07 May 2010 03:17:35 GMT</pubDate>
		</item>
		<item>
			<title>Harta Karun Peninggalan Kerajaan SRIWIJAYA</title>
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&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot; align=&quot;center&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: 24pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&quot;&gt;&lt;span style=&quot;font-size: 18pt;&quot;&gt;Harta Karun Rp 720 Miliar Dilelang Rabu&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt; line-height: normal;&quot;&gt;&lt;span style=&quot;font-size: 12pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt; text-align: right; line-height: normal;&quot; align=&quot;right&quot;&gt;&lt;i&gt;&lt;span style=&quot;font-size: 12pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&quot;&gt;Kompas
- Senin, 3 Mei&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;font-size: 12pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt; line-height: normal;&quot;&gt;&lt;span style=&quot;font-size: 12pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&quot;&gt;&lt;img alt=&quot;&quot; src=&quot;https://ujp.ucoz.com/harta_karun.jpg&quot; align=&quot;left&quot;&gt;JAKARTA, KOMPAS.com - Ribuan potong
batu permata, rubi, emas, dan keramik Kerajaan Tiongkok, serta perkakas gelas
Kerajaan Persia, senilai lebih kurang Rp 720 miliar, dilelang di Jakarta, Rabu
(5/5/2010). Harta karun tersebut ditemukan dari bangkai kapal berusia 1.000
tahun di perairan Cirebon, Jawa Barat.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;&lt;span style=&quot;font-size: 12pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&quot;&gt;Luc Heymans, seorang pemburu harta
karun bawah laut, mengatakan, itu merupakan temuan terbesar di Asia yang setara
dengan temuan harta kapal jenis Galeon Spanyol Atocha yang tenggelam di
perairan Florida, Amerika Serikat, tahun 1622, yang menggegerkan dunia.
Demikian disebutkan kantor berita AFP, Minggu. Harta karun di perairan Cirebon
itu semula ditemukan tersangkut jaring nelayan.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;&lt;span style=&quot;font-size: 12pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&quot;&gt;”Temuan ini berasal dari sekitar
tahun 976 Masehi. Ketika itu, perdagangan dan pelayaran antara Jazirah
Arab-India-Sumatera dan Jawa sangat ramai,” tutur Heymans.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;&lt;span style=&quot;font-size: 12pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&quot;&gt;Menurut Heymans, diduga ada pejabat
tinggi Kerajaan Tiongkok yang menumpang kapal bermuatan harta karun yang
ditemukan itu. Pasalnya, kapal yang belum diketahui namanya itu memuat banyak
keramik khusus milik Kerajaan Tiongkok.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;&lt;span style=&quot;font-size: 12pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&quot;&gt;Heymans dan tim menyelam sebanyak
22.000 kali untuk mengangkut harta dengan jumlah 11.000 mutiara, 4.000 rubi,
400 safir merah, dan 2.200 batu akik merah. Selain itu, ditemukan pula vas
terbesar dari Dinasti Liao (907-1125 Masehi) dan keramik Yue dari era lima
dinasti (907-960) dengan warna yang khusus digunakan untuk perkakas kekaisaran.
Harta karun itu diangkat dari dasar laut sejak Februari 2004 hingga Oktober
2005.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;&lt;span style=&quot;font-size: 12pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&quot;&gt;Pelaksana Tugas Direktur Kelautan
Pesisir dan Pulau-pulau Kecil Sudirman Saad, yang juga Sekretaris Jenderal
Panitia Nasional Pengangkatan dan Pemanfaatan Benda Berharga asal Muatan Kapal
Tenggelam, yang sedang berada di Ambon, Minggu, mengatakan, pelelangan untuk
271.381 keping benda berharga muatan kapal tenggelam yang diangkat dari
perairan Cirebon dilakukan pada tanggal 5 Mei 2010. Pelelangan dilakukan
melalui Kantor Piutang Kekayaan Negara dan Lelang Jakarta III dan terbuka untuk
pasar internasional.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;&lt;span style=&quot;font-size: 12pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&quot;&gt;Koleksi artefak itu berasal dari era
lima dinasti Tiongkok yang hanya berkuasa selama 53 tahun, meliputi Dinasti
Liang (907-923), Tang (923-936), Jin (936-947), Han (947-951), dan Zhou
(951-960). Selain itu, ditemukan juga artefak kerajinan gelas berasal dari
Kerajaan Sasanian (Persia) dan Rock Crystal peninggalan Dinasti Fatimiyah
(909-1711) yang berpusat di Mesir modern.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;&lt;span style=&quot;font-size: 12pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&quot;&gt;Hasil pelelangan benda berharga itu
diharapkan mencapai 100 juta dollar AS, dibagi rata antara pemerintah dan
perusahaan yang melakukan eksplorasi. Pengangkatan benda berharga muatan kapal
tenggelam di Cirebon yang berlangsung sejak Februari 2004 hingga Oktober 2005
itu dilakukan oleh PT Paradigma Putra Sejahtera, bekerja sama dengan Cosmix
Underwater Research Ltd, dengan izin Pemerintah Indonesia.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;&lt;span style=&quot;font-size: 12pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&quot;&gt;Museum bawah laut&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;&lt;span style=&quot;font-size: 12pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&quot;&gt;Fenomena penemuan ribuan artefak
bawah laut yang menggambarkan jejak kejayaan maritim Indonesia pada masa lampau
sudah saatnya mendorong pemerintah untuk mendirikan museum bawah laut serta
membangun museum bahari pada lokasi-lokasi eks kerajaan bahari.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;&lt;span style=&quot;font-size: 12pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&quot;&gt;Sudirman mengemukakan, sudah saatnya
Indonesia memiliki museum artefak bawah laut yang menjadi bukti jejak kejayaan
maritim Nusantara pada abad silam. Museum itu tidak hanya menampilkan nilai
sejarah kapal beserta isinya, tetapi juga kemajuan budaya kerajaan-kerajaan di
Nusantara.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;&lt;span style=&quot;font-size: 12pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&quot;&gt;”Museum itu bisa menggambarkan nilai
sejarah kapal beserta peninggalannya, kerajaan Indonesia, atau negara lain yang
pernah bermitra dengan kerajaan kita pada masa lampau,” ujarnya.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;&lt;span style=&quot;font-size: 12pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&quot;&gt;Kendati demikian, ujar Sudirman,
keinginan itu terbentur kapasitas negara yang tidak memadai, baik sumber daya
manusia maupun pembiayaan. Oleh karena itu, pemerintah perlu membuka diri
terhadap Organisasi Pendidikan, Ilmu Pengetahuan, dan Kebudayaan PBB (UNESCO)
guna membicarakan kemungkinan pembangunan museum bawah laut, kriteria lokasi,
pemeliharaan, dan pengawasannya.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;&lt;span style=&quot;font-size: 12pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&quot;&gt;Dari potensi ratusan titik benda
berharga muatan kapal tenggelam di perairan Indonesia, perlu diseleksi lokasi
yang paling tepat untuk museum bawah laut. Dengan demikian, benda-benda
peninggalan di museum itu kelak dapat dinikmati sebagai obyek wisata bahari.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;&lt;span style=&quot;font-size: 12pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&quot;&gt;Di sisi lain, perlu dibangun museum
bahari di beberapa wilayah eks kerajaan maritim Nusantara guna menyimpan
koleksi artefak bawah laut yang telah diangkat. ”Dengan diangkat ke permukaan,
masyarakat umum dapat mengetahui jejak peninggalan sejarah maritim,”
ujarnya.(LKT/ONG)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;font-size: 12pt; line-height: 115%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; color: blue;&quot;&gt;Sumber : &lt;a href=&quot;http://www.kompas.com/&quot;&gt;www.kompas.com&lt;/a&gt; &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;</content:encoded>
			<link>https://ujp.ucoz.com/news/harta_karun_peninggalan_kerajaan_sriwijaya/2010-05-05-9</link>
			<dc:creator>YON</dc:creator>
			<guid>https://ujp.ucoz.com/news/harta_karun_peninggalan_kerajaan_sriwijaya/2010-05-05-9</guid>
			<pubDate>Wed, 05 May 2010 04:20:52 GMT</pubDate>
		</item>
		<item>
			<title>Remunerasi</title>
			<description>&lt;div align=&quot;center&quot;&gt;&lt;b&gt;REMUNERASI VS SERTIFIKASI GURU&lt;/b&gt;&lt;br&gt;&lt;div align=&quot;left&quot;&gt;&lt;br&gt;&lt;div align=&quot;justify&quot;&gt;Setiap manusia perlu berusaha untuk menghidupi diri dan keluarganya. Berusaha disini dalam artian bekerja, baik di sektor formal maupun di sektor informal. Salah satu sektor formal yang saat ini banyak di incar oleh angkatan kerja adalah menjadi PNS.&lt;br&gt;&lt;br&gt;Sistem Penggajian PNS sudah diatur secara khusus. Besarnya gaji PNS diatur beradasarkan Pangkat/Golongan yang disandang, ditambah tunjangan jabatan (bagi yang memiliki jabatan) dan tunjangan lain-lain. Jadi sebenarnya seluruh PNS mempunyai dasar penggajian yang sama.&lt;br&gt;&lt;br&gt;Berdasarkan perkembangannya dan kebiasaan yang dilakukan oleh PNS, terutama PNS yang menduduki unit basah (yang berkaitan dengan sumber keuangan Negara) dan unit-unit strategis lainnya, dasar penggajian menjadi lain. Pemerintah beranggapan, untuk mengurangi kebiasaan buruk (Korupsi) PNS, maka pemerintah menerapkan kebijakan &lt;i&gt;&lt;b&gt;Remunerasi&lt;/b&gt;&lt;/i&gt;. &lt;br&gt;&lt;br&gt;Perlu kita ketahui apa sih Remunerasi?&lt;br&gt;Beberapa orang kadang salah menulis dan melafalkan kata remunerasi. Ada yang 
mengatakan remonerasi, ada pula yang menuliskan &lt;a href=&quot;http://www.tempointeraktif.com/hg/ekbis/2007/07/10/brk,20070710-103492,id.html&quot; target=&quot;_blank&quot;&gt;renumerasi&lt;/a&gt;. Yang benar adalah REMUNERASI Arti harafiahnya 
adalah &quot;payment&quot; atau penggajian, bisa juga uang ataupun substitusi dari uang 
yang ditetapkan dengan peraturan tertentu sebagai imbal balik suatu pekerjaan 
dan bersifat rutin.&lt;br&gt;&lt;br&gt;Sedangkan pengertian resmi menurut kamus &lt;a href=&quot;http://pusatbahasa.diknas.go.id/kbbi/index.php&quot; target=&quot;_blank&quot;&gt;Bahasa 
Indonesia&lt;/a&gt; adalah pembelian hadiah (penghargaan atas jasa dsb); imbalan. 
Remunerasi berasal dari bahasa Inggris yaitu Remuneration. &lt;a href=&quot;http://en.wikipedia.org/wiki/Remuneration&quot; target=&quot;_blank&quot;&gt;Wikipedia&lt;/a&gt; 
memberi penjelasan, &quot;Remuneration is pay or salary, typically a monetary payment 
for services rendered, as in an employment. Usage of the wo...</description>
			<content:encoded>&lt;div align=&quot;center&quot;&gt;&lt;b&gt;REMUNERASI VS SERTIFIKASI GURU&lt;/b&gt;&lt;br&gt;&lt;div align=&quot;left&quot;&gt;&lt;br&gt;&lt;div align=&quot;justify&quot;&gt;Setiap manusia perlu berusaha untuk menghidupi diri dan keluarganya. Berusaha disini dalam artian bekerja, baik di sektor formal maupun di sektor informal. Salah satu sektor formal yang saat ini banyak di incar oleh angkatan kerja adalah menjadi PNS.&lt;br&gt;&lt;br&gt;Sistem Penggajian PNS sudah diatur secara khusus. Besarnya gaji PNS diatur beradasarkan Pangkat/Golongan yang disandang, ditambah tunjangan jabatan (bagi yang memiliki jabatan) dan tunjangan lain-lain. Jadi sebenarnya seluruh PNS mempunyai dasar penggajian yang sama.&lt;br&gt;&lt;br&gt;Berdasarkan perkembangannya dan kebiasaan yang dilakukan oleh PNS, terutama PNS yang menduduki unit basah (yang berkaitan dengan sumber keuangan Negara) dan unit-unit strategis lainnya, dasar penggajian menjadi lain. Pemerintah beranggapan, untuk mengurangi kebiasaan buruk (Korupsi) PNS, maka pemerintah menerapkan kebijakan &lt;i&gt;&lt;b&gt;Remunerasi&lt;/b&gt;&lt;/i&gt;. &lt;br&gt;&lt;br&gt;Perlu kita ketahui apa sih Remunerasi?&lt;br&gt;Beberapa orang kadang salah menulis dan melafalkan kata remunerasi. Ada yang 
mengatakan remonerasi, ada pula yang menuliskan &lt;a href=&quot;http://www.tempointeraktif.com/hg/ekbis/2007/07/10/brk,20070710-103492,id.html&quot; target=&quot;_blank&quot;&gt;renumerasi&lt;/a&gt;. Yang benar adalah REMUNERASI Arti harafiahnya 
adalah &quot;payment&quot; atau penggajian, bisa juga uang ataupun substitusi dari uang 
yang ditetapkan dengan peraturan tertentu sebagai imbal balik suatu pekerjaan 
dan bersifat rutin.&lt;br&gt;&lt;br&gt;Sedangkan pengertian resmi menurut kamus &lt;a href=&quot;http://pusatbahasa.diknas.go.id/kbbi/index.php&quot; target=&quot;_blank&quot;&gt;Bahasa 
Indonesia&lt;/a&gt; adalah pembelian hadiah (penghargaan atas jasa dsb); imbalan. 
Remunerasi berasal dari bahasa Inggris yaitu Remuneration. &lt;a href=&quot;http://en.wikipedia.org/wiki/Remuneration&quot; target=&quot;_blank&quot;&gt;Wikipedia&lt;/a&gt; 
memberi penjelasan, &quot;Remuneration is pay or salary, typically a monetary payment 
for services rendered, as in an employment. Usage of the word is considered 
formal.&quot;. &lt;br&gt;&lt;br&gt;Beberapa departemen yang menikmati kebijakan remunerasi ini adalah sebagai berikut :&lt;br&gt;1. Departemen Keuangan (Bea cukai, Pajak dll yang termasuk lingkup depkeu)&lt;br&gt;2. Dephan (TNI, POLRI)&lt;br&gt;3. Depkumham (Pengadilan, Imigrasi, dan unit-unit lain yang termasuk dalam lingkup&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; depkumham)&lt;br&gt;4. Kejaksaan Agung&lt;br&gt;&lt;br&gt;Dari segi jumlah pemberian remunerasi sudah sangat besar, sudah mencapai besaran 10 kali lipat dari gaji pokok. Contoh kasus gayus, jumlah remunerasi nya mencapai 8,1 juta rupiah. &lt;br&gt;&lt;br&gt;Disisi lain, Depdiknas melalui kebijakannya untuk meningkatkan kesejahteraan guru, dijalankan kebijakan sertifikasi guru dan dosen. Besaran penghasilan tambahan dari kebijakan sertifikasi guru ini adalah 1 kali lipat dari gaji pokok PNS guru berdasarkan pangkat/golongan. Coba anda bandingkan, tidak adil kan? Hal ini mungkin diakibatkan bahwa sektor pendidikan dianggap kurang penting dan tidak strategis bagi bangsa ini. Sehingga cukup diberikan kenaikan gaji 1 kali lipat saja, itupun harus melalui proses di sertifikasi dulu, setelah lulus proses sertifikasi baru uang sertifikasi itu di alirkan ke guru yang bersangkutan.&amp;nbsp; Kebijakan ini dilaksanakan secara bertahap berdasarkan quota yang di berikan setiap periodenya. &lt;br&gt;&lt;br&gt;&lt;b&gt;Betul kah, sebegitu tidak pentingnya guru sebagai pencerdas kehidupan bangsa di&amp;nbsp; bandingkan dengan penerima Remunerasi ?&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;/div&gt;&lt;br&gt;&lt;/div&gt;&lt;/div&gt;</content:encoded>
			<link>https://ujp.ucoz.com/news/remunerasi/2010-04-03-7</link>
			<dc:creator>YON</dc:creator>
			<guid>https://ujp.ucoz.com/news/remunerasi/2010-04-03-7</guid>
			<pubDate>Sat, 03 Apr 2010 04:54:23 GMT</pubDate>
		</item>
		<item>
			<title>Indonesia = Benua Atlantis ?</title>
			<description>&lt;DIV&gt;Benua Atlantis itu (Ternyata) Indonesia &lt;BR&gt;&lt;BR&gt;Oleh Prof. Dr. H. PRIYATNA ABDURRASYID, Ph.D. &lt;BR&gt;&lt;BR&gt;http://www.atlan.org/articles/egyptian_temple1/ &lt;BR&gt;http://www.atlan.org/articles/old_world.html &lt;BR&gt;atlantis-indonesia-map-3.jpg &lt;BR&gt;&lt;BR&gt;&lt;BR&gt;&lt;BR&gt;&lt;IMG style=&quot;WIDTH: 263px; HEIGHT: 152px&quot; height=366 alt=&quot;&quot; src=&quot;https://ujp.ucoz.com/atlantis_1_copy.jpg&quot; width=467 align=left&gt;MUSIBAH alam beruntun dialami Indonesia. Mulai dari tsunami di Aceh hingga yang mutakhir semburan lumpur panas di Jawa Timur. Hal itu mengingatkan kita pada peristiwa serupa di wilayah yang dikenal sebagai Benua Atlantis. Apakah ada hubungan antara Indonesia dan Atlantis? &lt;BR&gt;&lt;BR&gt;&lt;BR&gt;Plato (427 - 347 SM) menyatakan bahwa puluhan ribu tahun lalu terjadi berbagai letusan gunung berapi secara serentak, menimbulkan gempa, pencairan es, dan banjir. Peristiwa itu mengakibatkan sebagian permukaan bumi tenggelam. Bagian itulah yang disebutnya benua yang hilang atau Atlantis. &lt;BR&gt;&lt;BR&gt;&lt;BR&gt;&lt;/DIV&gt;
&lt;DIV&gt;atlantis-indonesia-map.jpg &lt;BR&gt;&lt;BR&gt;&lt;IMG style=&quot;WIDTH: 324px; HEIGHT: 224px&quot; height=224 alt=&quot;&quot; src=&quot;https://ujp.ucoz.com/atlantis_2.jpg&quot; width=467 align=left&gt;Penelitian mutakhir yang dilakukan oleh Aryso Santos, menegaskan bahwa Atlantis itu adalah wilayah yang sekarang disebut Indonesia. Setelah melakukan penelitian selama 30 tahun, ia menghasilkan buku Atlantis, The Lost Continent Finally Found, The Definitifve Localization of Plato&apos;s Lost Civilization (2005). santos-atlantis.jpg &lt;BR&gt;&lt;BR&gt;Santos menampilkan 33 perbandingan, seperti luas wilayah, cuaca, kekayaan alam, gunung berapi, dan cara bertani, yang akhirnya menyimpulkan bahwa Atlantis itu adalah Indonesia. Sistem terasisasi sawah yang khas Indonesia, menurutnya, ialah bentuk yang diadopsi oleh Candi Borobudur, Piramida di Mesir, dan bangunan kuno Aztec di Meksiko. &lt;BR&gt;Konteks Indonesia Bukan kebetulan ketika Indonesia pada tahun 1958, atas gagasan &lt;BR&gt;Prof. Dr. Mochtar Kusumaatmadja melalui UU no. 4 Perpu tahun 1960, mencetuskan Deklarasi Djoeanda. Isinya menyatakan bahwa Negara Indonesia d...</description>
			<content:encoded>&lt;DIV&gt;Benua Atlantis itu (Ternyata) Indonesia &lt;BR&gt;&lt;BR&gt;Oleh Prof. Dr. H. PRIYATNA ABDURRASYID, Ph.D. &lt;BR&gt;&lt;BR&gt;http://www.atlan.org/articles/egyptian_temple1/ &lt;BR&gt;http://www.atlan.org/articles/old_world.html &lt;BR&gt;atlantis-indonesia-map-3.jpg &lt;BR&gt;&lt;BR&gt;&lt;BR&gt;&lt;BR&gt;&lt;IMG style=&quot;WIDTH: 263px; HEIGHT: 152px&quot; height=366 alt=&quot;&quot; src=&quot;https://ujp.ucoz.com/atlantis_1_copy.jpg&quot; width=467 align=left&gt;MUSIBAH alam beruntun dialami Indonesia. Mulai dari tsunami di Aceh hingga yang mutakhir semburan lumpur panas di Jawa Timur. Hal itu mengingatkan kita pada peristiwa serupa di wilayah yang dikenal sebagai Benua Atlantis. Apakah ada hubungan antara Indonesia dan Atlantis? &lt;BR&gt;&lt;BR&gt;&lt;BR&gt;Plato (427 - 347 SM) menyatakan bahwa puluhan ribu tahun lalu terjadi berbagai letusan gunung berapi secara serentak, menimbulkan gempa, pencairan es, dan banjir. Peristiwa itu mengakibatkan sebagian permukaan bumi tenggelam. Bagian itulah yang disebutnya benua yang hilang atau Atlantis. &lt;BR&gt;&lt;BR&gt;&lt;BR&gt;&lt;/DIV&gt;
&lt;DIV&gt;atlantis-indonesia-map.jpg &lt;BR&gt;&lt;BR&gt;&lt;IMG style=&quot;WIDTH: 324px; HEIGHT: 224px&quot; height=224 alt=&quot;&quot; src=&quot;https://ujp.ucoz.com/atlantis_2.jpg&quot; width=467 align=left&gt;Penelitian mutakhir yang dilakukan oleh Aryso Santos, menegaskan bahwa Atlantis itu adalah wilayah yang sekarang disebut Indonesia. Setelah melakukan penelitian selama 30 tahun, ia menghasilkan buku Atlantis, The Lost Continent Finally Found, The Definitifve Localization of Plato&apos;s Lost Civilization (2005). santos-atlantis.jpg &lt;BR&gt;&lt;BR&gt;Santos menampilkan 33 perbandingan, seperti luas wilayah, cuaca, kekayaan alam, gunung berapi, dan cara bertani, yang akhirnya menyimpulkan bahwa Atlantis itu adalah Indonesia. Sistem terasisasi sawah yang khas Indonesia, menurutnya, ialah bentuk yang diadopsi oleh Candi Borobudur, Piramida di Mesir, dan bangunan kuno Aztec di Meksiko. &lt;BR&gt;Konteks Indonesia Bukan kebetulan ketika Indonesia pada tahun 1958, atas gagasan &lt;BR&gt;Prof. Dr. Mochtar Kusumaatmadja melalui UU no. 4 Perpu tahun 1960, mencetuskan Deklarasi Djoeanda. Isinya menyatakan bahwa Negara Indonesia dengan perairan pedalamannya merupakan kesatuan wilayah nusantara. Fakta itu kemudian diakui oleh Konvensi Hukum Laut Internasional 1982. Merujuk penelitian Santos, pada masa puluhan ribu tahun yang lalu wilayah negara Indonesia merupakan suatu benua yang menyatu. Tidak terpecah-pecah dalam puluhan ribu pulau seperti halnya sekarang. &lt;BR&gt;&lt;BR&gt;&lt;IMG style=&quot;WIDTH: 367px; HEIGHT: 275px&quot; height=275 alt=&quot;&quot; src=&quot;https://ujp.ucoz.com/atlantis_3.jpg&quot; width=467 align=right&gt;Santos menetapkan bahwa pada masa lalu itu Atlantis merupakan benua yang membentang dari bagian selatan India, Sri Lanka, Sumatra, Jawa, Kalimantan, terus ke arah timur dengan Indonesia (yang sekarang) sebagai pusatnya. Di wilayah itu terdapat puluhan gunung berapi yang aktif dan dikelilingi oleh samudera yang menyatu bernama Orientale, terdiri dari Samudera Hindia dan Samudera Pasifik. Teori Plato menerangkan bahwa Atlantis merupakan benua yang hilang akibat letusan gunung berapi yang secara bersamaan meletus. &lt;BR&gt;&lt;BR&gt;Pada masa itu sebagian besar bagian dunia masih diliput oleh lapisan-lapisan es (era Pleistocene) . Dengan meletusnya berpuluh-puluh gunung berapi secara bersamaan yang sebagian besar terletak di wilayah Indonesia (dulu) itu, maka tenggelamlah sebagian benua dan diliput oleh air asal dari es yang mencair. Di antaranya letusan gunung Meru di India Selatan dan gunung Semeru /Sumeru / Mahameru di Jawa Timur. Lalu letusan gunung berapi di Sumatera yang membentuk Danau Toba dengan pulau Somasir, yang merupakan puncak gunung yang meletus pada saat itu. &lt;BR&gt;&lt;BR&gt;Letusan yang paling dahsyat di kemudian hari adalah gunung Krakatau (Krakatoa) yang memecah bagian Sumatera dan Jawa dan lain-lainnya serta membentuk selat dataran Sunda. Atlantis berasal dari bahasa Sanskrit Atala, yang berarti surga atau menara peninjauan (watch tower), Atalaia (Potugis), Atalaya (Spanyol). Plato menegaskan bahwa wilayah Atlantis pada saat itu merupakan pusat dari peradaban dunia dalam bentuk budaya, kekayaan alam, ilmu/teknologi, dan lain-lainnya. Plato menetapkan bahwa letak Atlantis itu di Samudera Atlantik sekarang. Pada masanya, ia bersikukuh bahwa bumi ini datar dan dikelilingi oleh satu samudera (ocean) secara menyeluruh. Ocean berasal dari kata Sanskrit ashayana yang berarti mengelilingi secara menyeluruh. Pendapat itu kemudian ditentang oleh ahli-ahli di kemudian hari seperti Copernicus, Galilei-Galileo, Einstein, dan Stephen Hawking. Santos berbeda dengan Plato mengenai lokasi Atlantis. Ilmuwan Brazil itu berargumentasi, bahwa pada saat terjadinya letusan berbagai gunung berapi itu, menyebabkan lapisan es mencair dan mengalir ke samudera sehingga luasnya bertambah. Air dan lumpur berasal dari abu gunung berapi tersebut membebani samudera dan dasarnya, mengakibatkan tekanan luar biasa kepada kulit bumi di dasar samudera, terutama pada pantai benua. Tekanan ini mengakibatkan gempa. Gempa ini diperkuat lagi oleh gunung-gunung yang meletus kemudian secara beruntun dan menimbulkan gelombang tsunami yang dahsyat. Santos menamakannya Heinrich Events. &lt;BR&gt;&lt;BR&gt;Dalam usaha mengemukakan pendapat mendasarkan kepada sejarah dunia, tampak Plato telah melakukan dua kekhilafan, pertama mengenai bentuk/posisi bumi yang katanya datar. Kedua, mengenai letak benua Atlantis yang katanya berada di Samudera Atlantik yang ditentang oleh Santos. Penelitian militer Amerika Serikat di wilayah Atlantik terbukti tidak berhasil menemukan bekas-bekas benua yang hilang itu. Oleh karena itu tidaklah semena-mena ada peribahasa yang berkata, &quot;Amicus Plato, sed magis amica veritas.&quot; Artinya,&quot;Saya senang kepada Plato tetapi saya lebih senang kepada kebenaran.&quot; Namun, ada beberapa keadaan masa kini yang antara Plato dan Santos sependapat. Yakni pertama, bahwa lokasi benua yang tenggelam itu adalah Atlantis dan oleh Santos dipastikan sebagai wilayah Republik Indonesia. Kedua, jumlah atau panjangnya mata rantai gunung berapi di Indonesia. Di antaranya ialah Kerinci, Talang, Krakatoa, Malabar, Galunggung, Pangrango, Merapi, Merbabu, Semeru, Bromo, Agung, Rinjani. Sebagian dari gunung itu telah atau sedang aktif kembali. Ketiga, soal semburan Lumpur akibat letusan gunung berapi yang abunya tercampur air laut menjadi lumpur. Endapan lumpur di laut ini kemudian meresap ke dalam tanah di daratan. Lumpur panas ini tercampur dengan gas-gas alam yang merupakan impossible barrier of mud (hambatan Lumpur yang tidak bisa dilalui), atau in navigable (tidak dapat dilalui), tidak bias ditembus atau dimasuki. Dalam kasus di Sidoarjo, pernah dilakukan remote sensing, penginderaan jauh, yang menunjukkan adanya sistim kanalisasi di wilayah tersebut. Ada kemungkinan kanalisasi itu bekas penyaluran semburan lumpur panas dari masa yang lampau. &lt;BR&gt;&lt;BR&gt;Bahwa Indonesia adalah wilayah yang dianggap sebagai ahli waris Atlantis, tentu harus membuat kita bersyukur. Membuat kita tidak rendah diri di dalam pergaulan internasional, sebab Atlantis pada masanya ialah pusat peradaban dunia. Namun sebagai wilayah yang rawan bencana, sebagaimana telah dialami oleh Atlantis itu, sudah saatnya kita belajar dari sejarah dan memanfaatkan perkembangan ilmu pengetahuan mutakhir untuk dapat mengatasinya. *** &lt;BR&gt;&lt;BR&gt;Penulis, Direktur Kehormatan International Institute of Space Law (IISL), Paris-Prancis&lt;/DIV&gt;</content:encoded>
			<link>https://ujp.ucoz.com/news/indonesia_benua_atlantis/2010-04-01-6</link>
			<dc:creator>YON</dc:creator>
			<guid>https://ujp.ucoz.com/news/indonesia_benua_atlantis/2010-04-01-6</guid>
			<pubDate>Thu, 01 Apr 2010 02:46:12 GMT</pubDate>
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			<title>Tahukah Anda ?</title>
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&lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src=&quot;http://bpguru.ucoz.com/kopi1.jpg&quot; alt=&quot;http://www.tabloidnova.com/files/article/photo/48224_vi.%20pengaruh%20kopi-romy_resize.jpg&quot; v:shapes=&quot;Picture_x0020_2&quot; align=&quot;left&quot; border=&quot;0&quot; height=&quot;186&quot; hspace=&quot;5&quot; vspace=&quot;5&quot; width=&quot;258&quot;&gt;&lt;!--[endif]--&gt;Tak dapat
dipungkiri, kopi memang dapat membuat kita terus melek alias siaga. 
Selain itu,
apa lagi ya fungsinya buat tubuh?&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;Kopi Sebagai 
Perangsang &lt;br&gt;
Asal tahu saja, kopi dan kafein tergolong „obat&quot; perangsang, lho! Tidak 
percaya?
Coba saja rasakan sendiri bagaimana Anda akan merasa lebih &quot;hidup&quot;
setelah minum kopi. Mestinya Anda tahu juga, jika kebanyakan minum kopi 
akan
membuat Anda mudah gugup atau malah jadi gampang marah.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;Lantaran tergolong zat
 perangsang, kopi juga bisa
mengacaukan jadwal tidur Anda. Bila Anda sulit tidur di malam hari, 
cobalah
untuk mengurangi porsi kopi. Atau buatlah kesepakatan dengan diri 
sendiri,
lewat tengah hari pilihlah air putih atau kopi yang tidak mengandung 
kafein
(decaf) untuk diminum.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;Pengaruh Kopi Pada 
Sistem Pencernaan &lt;br&gt;
Kopi sebetulnya memiliki kandungan zat asam cukup tinggi, terutama bila
dinikmati dalam bentuk biji kopi yang dibakar, seperti dilakukan 
orang-orang
Kenya atau Ethiopia. Itulah sebabnya bila Anda minum kopi terlalu banyak
 saat
perut kosong, Anda sering merasa kembung, kan? Ini sebetulnya merupakan 
reaksi
tubuh yang mengisyaratkan adanya ketidakberesan dalam sistem pencernaan.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;Kandungan kafein dan 
zat asam dalam kopi juga bisa
mendatangkan masalah bagi mereka yang rentan menderita infeksi usus atau
 masg.
Makanya, bila kopi dianggap lebih banyak mudaratnya ketimbang 
manfaatnya,
cobalah beralih ke air, teh herbal, atau setidaknya campurkan kopi 
dengan susu
untuk menetralisasi kandungan kafein dan asam yang dapat mengiritasi 
lambung.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;Kopi &amp;amp; Antioksidan
 &lt;br&gt;
Bisa dibilang orang Amerika Utara-lah yang menemukan kopi sebagai sumber
antioksidan yang pertama. Antioksidan adalah komponen esensial yang 
mampu
memerangi atau menetralisasi radikal bebas yang amat berpotensi merusak 
sel-sel
tubuh dan memicu tumbuhnya sel-sel penyebab kanker.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;Berbagai penelitian 
menunjukkan, mengonsumsi kopi
dapat menurunkan risiko penyebaran kanker liver dan tenggorokan, 
diabetes tipe
2, penyakit Alzheimer dan Parkinson, serta kanker kerongkongan.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;Kopi &amp;amp; Kemampuan 
Kognitif &lt;br&gt;
Kopi merupakan dewa penolong di saat belajar atau lembur malam hari, 
yang
membuat Anda tak mudah mengantuk. Mengonsumsi kopi secara teratur 
ternyata
dapat meningkatkan kemampuan kognitif Anda.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;Penelitian baru-baru 
ini pun menunjukkan, bila para
sukarelawan yang secara teratur minum kopi setidaknya 1-2 cangkir kopi 
sehari
memiliki skor lebih tinggi pada kemampuan mengingat kembali memori 
jangka
pendeknya. Begitu juga kemampuan spasial, kemampuan logika, maupun tes 
IQ
secara umum.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;Kopi Untuk Diet &lt;br&gt;
Seperti telah disebutkan di atas, kopi tergolong zat perangsang. Ini 
artinya
setiap cecapan kafein akan memberi &quot;tendangan&quot; lebih pada sistem
metabolisme. Dengan kata lain, Anda memperoleh energi tambahan tanpa 
harus
memasukkan sejumlah kalori dari makanan lain. Coba deh, sesekali 
perhatikan
komposisi sejumlah tablet diet atau penurun berat badan. Anda pasti akan
menemukan, komposisi utama tablet-tablet tadi tak lain adalah kafein.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;Kopi &amp;amp; Gigi &lt;br&gt;
Seharusnya Anda berterima kasih kepada kopi, karena senyawa asam yang
terkandung di dalam kopi dapat mengurangi peluang terjadinya gigi 
berlubang,
lho! Hanya saja, kopi akan membuat warna gigi putih Anda menjadi tampak 
buram.
Nah, agar gigi tetap putih cemerlang, segeralah minum sebotol air putih 
begitu
Anda usai menikmati secangkir kopi. Jangan lupa pula, untuk menyikat 
gigi
setidaknya 2-3 kali sehari, agar gigi cling kembali!&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;Paskaria&lt;br&gt;
Foto: Romy Palar/NOVA&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;&amp;nbsp;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;Sumber : Tabloid Nova 
Online&lt;/p&gt;</content:encoded>
			<link>https://ujp.ucoz.com/news/tahukah_anda/2010-03-20-4</link>
			<dc:creator>YON</dc:creator>
			<guid>https://ujp.ucoz.com/news/tahukah_anda/2010-03-20-4</guid>
			<pubDate>Sat, 20 Mar 2010 16:48:44 GMT</pubDate>
		</item>
		<item>
			<title>Tahukah Anda ?</title>
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&lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt; text-align: center; line-height: normal;&quot; align=&quot;center&quot;&gt;Manfaat Kopi Bagi Kesehatan&lt;br style=&quot;&quot;&gt;
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&lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img alt=&quot;&quot; src=&quot;http://bpguru.ucoz.com/kopi2.jpg&quot; align=&quot;left&quot; border=&quot;0&quot;&gt;Bila Anda
seorang peminum kopi yang fanatik, pasti tak ragu-ragu lagi meyakinkan 
diri,
kopi aman untuk dikonsumsi sepanjang tak berlebihan, bukan?&lt;!--[endif]--&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;Jangan kaget bila 
sejak dahulu selalu ada begitu
banyak pihak yang menuduh kopi sebagai biang keladi munculnya aneka 
gangguan
kesehatan. Sebut saja penyakit jantung, kanker, osteoporosis, atau apa 
pun
namanya. Padahal, penelitian terbaru menunjukkan, kopi kaya akan zat-zat
antioksidan dan mengandung ratusan senyawa antibakteri maupun pereda 
rasa
sakit.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;Kendati hasil penemuan
 ini sungguh menggembirakan,
tetapi jangan lantas seenaknya minum kopi tanpa aturan, ya! Untuk 
mendapatkan
manfaatnya, cukup batasi konsumsi kopi 1-2 cangkir saja di pagi hari. 
Nah, agar
lebih jelas lagi, berikut sejumlah data statistik yang patut Anda
pertimbangkan.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;Banyak Manfaat &lt;br&gt;
Tahukah Anda, di Amerika ada 160 juta lebih peminum kopi? Diasumsikan 
setiap
orang di negara Paman Sam ini mengonsumsi kopi rata-rata 8,8 lbs kopi 
per
tahun. Sementara pecandu kopi terberat di dunia rupanya warga Finlandia,
 yang
konsumsi kopinya bisa mendekati 30 lbs per tahun. Jumlah yang tidak 
sedikit,
tentu saja.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;Data statistik lain 
mengungkapkan, tak kurang dari 19
ribu penelitian yang mencoba menganalisa dampak kopi. Meski hasil-hasil
penelitian ini kerap ditunggangi kepentingan lain - seperti kepentingan 
pribadi
dari para penggagasnya - inilah hal-hal yang ternyata disepakati banyak 
pihak.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;Mengonsumsi 2-3 
cangkir kopi sehari sebenarnya masih
bisa ditoleransi karena dianggap lebih mendatangkan manfaat daripada 
bahayanya.
Penelitian-penelitian terbaru juga membuktikan, bila minum kopi dalam 
batas
wajar dapat mengurangi risiko terkena kanker usus. Boleh jadi hal ini 
terkait
dengan kebiasaan untuk secara teratur buang air besar.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;Kopi juga mengurangi 
risiko terkena gangguan batu
empedu, sirosis liver, dan sederet penyakit lainnya, mengingat kopi 
memang
terbukti banyak mengandung antioksidan yang baik bagi kesehatan. Sebab,
kandungan antioksidan yang dimiliki kopi ternyata kadarnya lebih tinggi
dibandingkan minuman favorit lain, seperti teh atau jus buah.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;Sumber Antioksidan&lt;br&gt;
Beberapa penelitian juga didedikasikan bagi para pasien diabetes dan 
Parkinson.
Penelitian ini mengungkapkan, minum secangkir kopi sehari dapat 
setengahnya
menurunkan risiko terkena Parkinson, yakni penyakit penyerang otak, yang
menyebabkan tubuh penderita selalu bergetar dan mengalami gangguan 
gerak.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;Besar kemungkinan 
kandungan kafein dalam kopi mampu
melindungi sel-sel otak yang mengalami kerusakan pada penyakit 
Parkinson.
Kendati demikian, wanita yang sedang menjalani terapi sulih hormon tidak
 akan
memetik manfaat apa pun dari kebiasaan minum kopi ini. Boleh jadi karena
 hormon
estrogen melemahkan efektivitas kafein dalam kopi.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;Selain itu, wanita 
yang minum kopi hingga 3 cangkir
kopi per hari, akan mengalami penurunan risiko terkena diabetes tipe 2 
hingga
sekitar 20-30 persen. Kopi diyakini dapat meningkatkan atau mempercepat
penghantaran insulin ke berbagai jaringan tubuh.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;Dan para ahli kini 
masih terus melakukan berbagai
penelitian untuk menguji bila berbagai antioksidan yang terkandung dalam
 kopi
(antara lain asam klorogenik dan asam kafein) mampu membantu memerangi 
penyakit
Alzheimer. Boleh jadi pendapat ini terkait dengan kafein yang memang 
berperan
merangsang area berpikir di otak.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;Bahkan, orang dengan 
gangguan asma yang minum kopi
ternyata memiliki peluang sekitar 25 persen untuk mengalami penurunan 
gejala
asma. Hal ini dapat dimengerti, karena salah satu senyawa dalam kopi 
adalah
theophylline yang berperan sebagai bronchodilator alias pelega 
pernapasan.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;Kurangi Risiko 
Penyakit&lt;br&gt;
Satu penelitian yang dilakukan baru-baru ini di Brasil membenarkan pula,
mengonsumsi kopi dapat meningkatkan kemampuan gerak sperma. Penelitian 
ini
masih terus berlanjut untuk menguji kopi jenis apa yang dapat diandalkan
 untuk
membantu para pria yang tergolong kurang subur.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;Kopi juga mengandung 
polifenol, yakni substansi yang
diduga mengurangi risiko terkena kanker dan penyakit koroner arteri.
Sebaliknya, kopi yang diformulasikan dengan menambahkan kafein, justru 
sudah
sengaja dihilangkan kandungan kafeinnya. Padahal kafein-lah yang 
membantu Anda
jadi lebih cermat berpikir, karena membuat Anda tetap fokus, terutama 
pada saat
dihadapkan pada jenis pekerjaan yang kurang disenangi.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;Penelitian lain 
menyatakan, kafein bisa meningkatkan
perolehan skor pada serangkaian tugas yang terkait dengan kemampuan 
kognitif,
seperti mengambil keputusan dalam waktu cepat belajar, dan tak mudah 
terbangun
saat tertidur pulas. Tak lain karena kafein yang terdapat pada kopi 
terbukti
mampu memberikan sinyal pada otak untuk lebih cepat merespons, kemudian 
tangkas
mengolah memori dalam otak.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;Kopi juga dapat 
memperbaiki mood sekaligus membuat
Anda merasa lebih energik. Kabar yang tak kalah menggembirkan, kopi 
ternyata
mengandung antioksidan yang terbukti meningkatkan derajat kesehatan 
tubuh
secara menyeluruh.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;Berikut sejumlah 
manfaat yang sudah terbukti berhasil
dipetik dari kopi:&lt;br&gt;
- Menurunkan gejala Parkinson&lt;br&gt;
- Memiliki kandungan antibakteri&lt;br&gt;
- Mengurangi risiko pembesaran batu empedu&lt;br&gt;
- Memelihara kestabilan mental&lt;br&gt;
- Mengurangi risiko memburuknya diabetes tipe 2 (namun bila Anda
penderita diabetes, tentu saja hindari atau setidaknya kurangi konsumsi 
kopi)&lt;br&gt;
- Bila Anda terbebas dari tekanan darah tinggi, kopi mungkin tak akan 
memberi
manfaat ini&lt;br&gt;
- Mengurangi risiko terkena semua jenis kanker&lt;br&gt;
- Menambah daya tahan fisik&lt;br&gt;
- Mengurangi keluhan sakit kepala.&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;Paskaria&lt;br&gt;
Foto: Romy Palar/NOVA &lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;Sumber : Tabloid Nova&lt;/p&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;</content:encoded>
			<link>https://ujp.ucoz.com/news/tahukah_anda/2010-03-20-3</link>
			<dc:creator>YON</dc:creator>
			<guid>https://ujp.ucoz.com/news/tahukah_anda/2010-03-20-3</guid>
			<pubDate>Sat, 20 Mar 2010 16:45:49 GMT</pubDate>
		</item>
		<item>
			<title>Renungan Profesi</title>
			<description>&lt;table class=&quot;eBlock&quot; width=&quot;100%&quot; border=&quot;0&quot; cellpadding=&quot;2&quot; cellspacing=&quot;1&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width=&quot;90%&quot; align=&quot;center&quot;&gt;RENUNGAN PROFESI SANG PENCERDAS BANGSA&lt;/td&gt;&lt;td style=&quot;white-space: nowrap;&quot; align=&quot;right&quot;&gt;10:57 Pm &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;eMessage&quot;&gt;&lt;div align=&quot;justify&quot;&gt;&lt;img alt=&quot;&quot; src=&quot;http://bpguru.ucoz.com/4x6.jpg&quot; align=&quot;left&quot; border=&quot;0&quot;&gt;Anda
pasti sudah tahu, siapa yang sangat berperan penting dalam proses
kemajuan suatu bangsa. Anda pasti akan menjawab, semua itu tak lepas
dari peranan guru sebagai pendidik yang mempersiapkan anak bangsa untuk
membangun bangsanya. Semua orang sadar akan hal itu. Tapi tahukan anda,
bahwa profesi pendidik (GURU) sering dipandang sebelah mata, kadang
mungkin terpejam alias tak dilihat orang. Mungkin termasuk anda
sendiri, yang kurang menyadari bahwa anda saat ini adalah hasil dari
jerih payah Sang Pendidik.&lt;br&gt;&lt;br&gt;Ingat ungkapan &quot; &lt;u&gt;&lt;i&gt;&lt;b&gt;Pahlawan tanpa tanda JASA&lt;/b&gt;&lt;/i&gt;&lt;/u&gt; ?&quot; &lt;br&gt;Kita
pasti semua ingat akan ungkapan itu. Kalau ungkapan itu di dengungkan
di telinga kita, pasti kita akan langsung berfikir &quot; yang dimaksud
pasti Sang Pendidik ( Guru ). Mestikah ungkapan ini kita dengungkan
saat ini ? Mengingat akan peran penting Sang Pendidik untuk
mencerdaskan kehidupan bangsa ? Ataukah ungkapan itu mesti kita ubah
dengan Pahlawan yang patut di berikan penghargaan yang besar terhadap
jasa-jasanya dalam mencerdaskan kehidupan bangsa. &lt;br&gt;&lt;br&gt;Profesi ini
juga sangat riskan akan tuntutan hukum dari orang tua atau pihak-pihak
lain. Karena saat ini guru sudah tidak diperbolehkan untuk menyentil
sedikit saja siswa yang sangat bandel dan tak bermoral sekalipun. Guru
akan selalu dikaitkan dengan pelanggaran HAM, Penganiayaan, dan hal-hal
lain. Ada beberapa kasus yang akhir-akhir ini marak di siarkan di media
elektronik dan media cetak, tentang penganiayaan guru terhadap siswa.
Kita jangan hanya menjatuhkan vonis bahwa guru yang selalu salah. Kita
juga harus tinjau kronologis kejadian, apa yang menyebabkan hal itu
terjad...</description>
			<content:encoded>&lt;table class=&quot;eBlock&quot; width=&quot;100%&quot; border=&quot;0&quot; cellpadding=&quot;2&quot; cellspacing=&quot;1&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width=&quot;90%&quot; align=&quot;center&quot;&gt;RENUNGAN PROFESI SANG PENCERDAS BANGSA&lt;/td&gt;&lt;td style=&quot;white-space: nowrap;&quot; align=&quot;right&quot;&gt;10:57 Pm &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;eMessage&quot;&gt;&lt;div align=&quot;justify&quot;&gt;&lt;img alt=&quot;&quot; src=&quot;http://bpguru.ucoz.com/4x6.jpg&quot; align=&quot;left&quot; border=&quot;0&quot;&gt;Anda
pasti sudah tahu, siapa yang sangat berperan penting dalam proses
kemajuan suatu bangsa. Anda pasti akan menjawab, semua itu tak lepas
dari peranan guru sebagai pendidik yang mempersiapkan anak bangsa untuk
membangun bangsanya. Semua orang sadar akan hal itu. Tapi tahukan anda,
bahwa profesi pendidik (GURU) sering dipandang sebelah mata, kadang
mungkin terpejam alias tak dilihat orang. Mungkin termasuk anda
sendiri, yang kurang menyadari bahwa anda saat ini adalah hasil dari
jerih payah Sang Pendidik.&lt;br&gt;&lt;br&gt;Ingat ungkapan &quot; &lt;u&gt;&lt;i&gt;&lt;b&gt;Pahlawan tanpa tanda JASA&lt;/b&gt;&lt;/i&gt;&lt;/u&gt; ?&quot; &lt;br&gt;Kita
pasti semua ingat akan ungkapan itu. Kalau ungkapan itu di dengungkan
di telinga kita, pasti kita akan langsung berfikir &quot; yang dimaksud
pasti Sang Pendidik ( Guru ). Mestikah ungkapan ini kita dengungkan
saat ini ? Mengingat akan peran penting Sang Pendidik untuk
mencerdaskan kehidupan bangsa ? Ataukah ungkapan itu mesti kita ubah
dengan Pahlawan yang patut di berikan penghargaan yang besar terhadap
jasa-jasanya dalam mencerdaskan kehidupan bangsa. &lt;br&gt;&lt;br&gt;Profesi ini
juga sangat riskan akan tuntutan hukum dari orang tua atau pihak-pihak
lain. Karena saat ini guru sudah tidak diperbolehkan untuk menyentil
sedikit saja siswa yang sangat bandel dan tak bermoral sekalipun. Guru
akan selalu dikaitkan dengan pelanggaran HAM, Penganiayaan, dan hal-hal
lain. Ada beberapa kasus yang akhir-akhir ini marak di siarkan di media
elektronik dan media cetak, tentang penganiayaan guru terhadap siswa.
Kita jangan hanya menjatuhkan vonis bahwa guru yang selalu salah. Kita
juga harus tinjau kronologis kejadian, apa yang menyebabkan hal itu
terjadi. Kalau memang guru bertindak kasar dan sadis terhadap siswa
yang tidak berbuat kesalahan berat, mungkin guru ini harus
dipersalahkan. misalnya siswa sedang duduk-duduk manis lalu guru
tersebut menampar, menendang dan bentuk-bentuk lain dari penganiayaan,
kita harus cek kesehatan mental guru ini kepada psikiater, barangkali
stress atau berubah menjadi gila.&lt;br&gt;&lt;br&gt;Kita harus menyadari peran
guru dalam memajukan bangsa ini. Bangsa ini jangan bangga dengan SDA
yang katanya melimpah. Toh banyak juga rakyat kita yang miskin, yang
konon katanya bangsa kita ini kaya (gemah ripah loh jinawi). Kita tidak
punya SDM yang dapat mengelola SDA yang katanya mepimpah tadi. &lt;br&gt;&lt;br&gt;Jangan
kira bangsa yang miskin SDA akan menjadi negara miskin pula. Apabila
mereka sadar dengan pengembangan SDM yang unggul dengan menciptakan
sistem pendidikan yang baik dan penghargaan terhadap guru-guru mereka,
bangsa ini pasti jaya. Berkacalah kepada Negara Singapura. Negara ini
kecil dari ukuran, tidak memiliki SDA yang melimpah seperti bangsa
kita, tapi Singapura sangat maju di bidang ekonomi. Negara ini sangat
maju di kawasan ASEAN bahkan ASIA. Negara ini disegani dalam hal
kekuatan ekonominya. Semua itu bisa terjadi karena SDM unggul yang
mereka miliki. SDM yang unggul ini mereka hasilkan dari sistem
pendidikan yang baik,&lt;br&gt;&lt;br&gt;SADARLAH BANGSA KU, MASYARAKAT KU,
.................................... BAHWA GURU BERPERAN PENTING DALAM
MENJADIKAN BANGSA INI MENJADI BANGSA YANG MAJU. BERIKAN PENGHARGAAN
YANG SEHARUSNYA MEREKA DAPATKAN..........!!!!!&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;</content:encoded>
			<link>https://ujp.ucoz.com/news/renungan_profesi/2010-02-09-1</link>
			<dc:creator>YON</dc:creator>
			<guid>https://ujp.ucoz.com/news/renungan_profesi/2010-02-09-1</guid>
			<pubDate>Tue, 09 Feb 2010 05:19:51 GMT</pubDate>
		</item>
	</channel>
</rss>